Just what I expected

Boring, over-political, tech fuzed mess

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

Jack Lemon is a newcomer to the Ambassador's staff in London. His boss is Fred Astaire. He rents half a house from the impecunious Kim Novak, an American whose husband has mysteriously disappeared. It's widely suspected that she poisoned hubby, using kidney pies that were so good that he asked for seconds. "It was the seconds that done him in," remarks a police officer. Lemon begins to wonder if she's going to poison him and is hypervigilant.The fact that Lemon and Novak are "living together" becomes a scandal. He's advised for the sake of his career to avoid being seen with Novak in public but when she tries to barbecue his dinner the burst of flame sets fire to the tarpaulin, screams break out, windows fly open, bells clang, and the fire department arrives -- that sort of thing.I didn't find it very funny, or very suspenseful either. Lemon tip toes from room to room, examining the contents of drawers, while Novak goes about her business in the kitchen. Lemon and Novak are competent enough. Fred Astaire is miscast in the role of the sarcastic boss who should be threatening instead of charming. Lionel Jeffries and Henry Daniell are both memorable in their brief appearances as a Scotland Yard official and a vicar.The film does the job it set out to do, but what it set out to do is only barely worth doing.

I watched this through Netflix, being intrigued to see a movie hitherto unknown to me starring Jack Lemmon. With Kim Novak and Fred Astaire on the marquee as well, I was intrigued. But what an awful disappointment. The first half of the flick was fun to watch, especially seeing Fred Astaire put in his classy bit. The cinematography of London was beautiful and the production values were great, but after the first half, the movie just disintegrates into incoherence. The plot complications are too complex to keep track of and after a while one just gives up. One shouldn't have to work so hard to keep track of things in what is supposed to be a frothy comedy. The insertion at the end of outright slapstick seems like an act of desperation. The actors do their best, but the fault ultimately lies with the script. Sad, really to see such talent wasted.

"The Notorious Landlady" exemplifies how all the right ingredients can add up to a failed movie. Jack Lemmon, Kim Novak, and Fred Astaire are megawatt stars. The look of the film is great; high quality, deeply textured black and white film stock records interesting, early sixties sets. The direction is the weak point. The film never comes together. It badly needs to be edited; it should be at least 25 percent shorter. Much of the humor is derived from extended dirty jokes about Kim Novak's spectacular figure. Jack Lemmon leers and gawks and cops feels. Yuch, not yuck. Even Fred Astaire steals a kiss. Sad, undignified, and not funny.The movie is clunky, awkward, and badly pieced together. Parts are leering dirty joke, parts are murder mystery and courtroom drama, parts are attempts at broad humor, and other parts are painfully bad romantic comedy. Jack Lemmon comes across as a very creepy, overbearing, almost stalker-like tenant. At one point he shoots the lock off of his landlady's bathroom and walks in on her as she is bathing. The audience that will find this scene appealing is, one would hope, very small, and certainly deranged and unaware of appropriate courtship behaviors.Sadly, according to IMDb comments, the director, Richard Quine, killed himself because he lacked the skill to make frothy romantic comedies. One can only shake one's head at the irony of that.

Pleasant mystery/comedy with a young energetic Jack Lemmon and an attractive Kim Novak developing a love interest (as expected) while trying to solve the problem of the apparent murder of her husband. Some intriguing plot twists and surprising jumps. Light film provides a nice diversion for an hour and a half especially with the presence of Fred Astaire and Lionel Jefferies.Unfortunately it does not appear to be available on video tape at the present time.