Sid and Nancy

October. 03,1986      R
Rating:
7
Trailer Synopsis Cast

January 1978. After their success in England, the punk rock band Sex Pistols venture out on their tour of the southern United States. Temperamental bassist Sid Vicious is forced by his band mates to travel without his troubled girlfriend, Nancy Spungen, who will meet him in New York. When the band breaks up and Sid begins his solo career in a hostile city, the turbulent couple definitely falls into the depths of drug addiction.

Gary Oldman as  Sid Vicious
Chloe Webb as  Nancy Spungen
David Hayman as  Malcolm McLaren
Debby Bishop as  Phoebe
Andrew Schofield as  Johnny Rotten
Xander Berkeley as  Bowery Snax
Perry Benson as  Paul
Sandy Baron as  Hotelier USA
Sy Richardson as  Methadone Caseworker
Edward Tudor-Pole as  Hotelier UK

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Reviews

AniInterview
1986/10/03

Sorry, this movie sucks

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Lumsdal
1986/10/04

Good , But It Is Overrated By Some

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GazerRise
1986/10/05

Fantastic!

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CommentsXp
1986/10/06

Best movie ever!

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ninjaalexs
1986/10/07

Sid and Nancy is a very silly film that wants to be taken seriously. I'm a huge punk fan and own some of Alex Cox's films. With the exception of Repo Man his films are patchy. Sid and Nancy is no exception, the script is underwritten and nothing more than a patchwork of various events with no real characterisation.Worst is John Lydon played by Drew Schofield who not only looks nothing like him, he manges to imitate some of Lydon's tone, but can't disguise his scouse accent. Lydon might be larger than life, but to portray him as eating baked bean and drinking champagne and laughing at farting negates the fact behind the red hair and eccentricity is an intelligent man. Gary Oldman as Sid Vicious looks the part and captures his penchant for violence and excess, but misses his naivety. Glossing over the fact Nancy Spungen was said to be Sid's first girlfriend. Chloe Webb is pretty good as Spungen, but a really annoying and dislikeable character. David Hayman as Malcolm Mclaren looks the part, but ignores the Svengali aspects of his life and makes him quite an affectionate character.The best thing about the film was the cinematography by Roger Deakins. Best known for working with the Coen Brothers later on. Which considerably raises the production values on what is a grimy and sleazy film.

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Carrisa Grace
1986/10/08

If you are looking for historically correct, look elsewhere. Passionate, heart breaking, and beautiful. A great foreshadowing of how amazing Gary Oldman is. Chloe Webb- such an underrated actress. These two perfectly embody the Sid and Nancy we "knew." It's a great film to watch for style inspiration as well- fashion, art, music. Just beware the romanticizing of such a dangerous lifestyle... it seems so fabulous from outside the box. Nothing better than a tragic love story....

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SnoopyStyle
1986/10/09

This starts with the death of Nancy Spungen (Chloe Webb) leaving Sid Vicious (Gary Oldman) catatonic as the police question him. The couple had met more than a year ago. Sid and Sex Pistols bandmate Johnny Rotten (Andrew Schofield) are on the streets doing minor vandalism. They find Nancy with another friend. She becomes a groupie. After a little time, they become a couple addicted to heroine. The band implodes during the disastrous US tour. Sid tries to go solo with Nancy managing but their desperate addiction leads to the eventual self-destruction.These are two amazing performances. Gary Oldman and Chloe Webb go into the gutter of the soul of these characters. It's raw and powerful. This is a Romeo and Juliet on heroine. I actually find Webb the wilder performance but the combination is undeniable.

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Robert Thompson (justbob1982)
1986/10/10

Version I saw: LoveFilm Instant streamActors: 7/10Plot/script: 6/10Photography/visual style: 5/10Music/score: 6/10Overall: 6/10Sid and Nancy is a very punk film. Shot in a very low-tech, rather shambolic style, it begins (in Sunset Blvd. style) with a dead person and then tells the story of how they got there.The dead woman is Nancy Spungen, paramour of Sex Pistols bassist Sid Vicious (Gary Oldman). It's clearly a great performance by Oldman in a breakthrough role in his career, but the character he is portraying is shown to have no talent, no musical ability, no virtues whatsoever except a somewhat greater mastery than most of punk's aggressive swagger.What follows is a difficult piece to assess, because it is a ruthless, efficient character assassination of the central pair. It is arguably a mark of the success of the film that they are shown to have nothing notable or interesting about them, and are merely loathsome individuals with very mundane, everyday flaws.However, it does make you question why you did or would want to spend 112 minutes looking at them. I am broadly a fan of the punk music style, but this is a lot more about the punk ethos than punk music. It fizzes with passive-aggressiveness which it directs primarily at its subjects, sneering viciously at their weaknesses and failings. I suppose that exactly like it's subject, the film is brutally passive-aggressive, a bit pointless, a bit self-indulgent, self-destructive and very, very punk.

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