The students of Suzuran High compete for the King of School title. An ex-graduate yakuza is sent to kill the son of a criminal group, but he can't make himself do it as he reminds him of his youth.
Similar titles
You May Also Like
Reviews
Excellent, Without a doubt!!
Did you people see the same film I saw?
A waste of 90 minutes of my life
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Crows Zero is an action movie which is based on "crows" manga. In this movie there is a violent high school named "Suzuran". The students makes their own group/gang and fight each other to be the head, the main boss/leader of that high school. One day a High Schooler as a transferred senior come to the Suzuran high school with a aim to conquer the whole school. He is the main character of the movie and his name is Takiya Genji (Shun Oguri)the son of a Yakuza boss named Takiya Hideo. During the freshman orientation assembly Yakuza arrive at the school seeking third-year senior Serizawa Tamao to avenge an injury.To show his worth, Genji fights and defeats the Yakuza, who mistake him for Tamao.
Suzuran High is not your average high school, Suzuran High is home to the worst of the worst students in the city, were your fighting skills are the only thing worth celebrating. Genji is the son of a Yakuza boss and desperately wants to show his father he is just as capable as his father and perhaps even better...But in order to be the King of Suzuran, he must defeat Serizawa another student who is on his way to becoming the King with a fierce army. Genji must not only fight but work on his leadership and strategy to unite classes in order to match Serizawa's might...Fotunatly for him, he has an ex-Suzuran graduate and low level Yakuza for a tutor. Let the war begin! I describe this as 'Godfather with fight scenes' and in essence thats what it is, a weaker version of the American gangster classic, but this film is more concerned with showing brutal fight scenes. If gritty brutal action scenes is your fancy, then this film will deliver in fine fashion, the fight scenes are very realistic. The actors are all good in their roles, although I feel that there are certain actors such as Meisa Kuroki who appear to be simply used as eye candy...someone who could have been used to a greater degree.Yes, there are tons of plot holes, unexplored and deserted characters in this film, but in my honest opinion it is perhaps one of the most exciting and well done fight films of all time...and when I say Fight films, I don't mean 'Kung-Fu', I mean a 'Fight film'. There are some brilliant scenes in which the classes make that 'walk' and it genuinely does excite.This in my opinion is the 'Godfather of Fight Films'.
Takashi Miike is an extraordinary filmmaker, even if he works sometimes in circumstances that other directors might find ordinary, such as all of the genres that Miike tackles... which are, by a mild estimation, almost all of them. Name a kind of movie, Miike's probably done it, from family movie to samurai epic to just totally f***ed up way-past X-rated stuff, not to mention all of the Yakuza crime movies that by this time should be coming out of his nose from going over so often. But with Crows: Episode Zero, he found a way to tell a Yakuza story just a little different, by making it about the teenage kids (some of them, anyway) of the Yakuza who enroll in an "extreme" high school where it's basically not about learning anything but fighting and ascending the ranks to become the head of the school's bad-ass fightin' kids. It's the kind of movie that, if you are fourteen and watching it, it's like a near wet-dream of awesomeness. For the rest of us, the movie serves as lots of good fun.And as this is Miike, even the more conventional things in the movie like the whole 'I'm-doing-this-to-out-impress-my-dad' to the 'my-girl's-been-kidnapped' thing, get twisted just a wee bit. And, thankfully, a great dose of humor is sprinkled throughout with really random moments of hilarity (my favorite was when the teen is just talking to his friends on the roof, and casually takes a gigantic ball of some kind and rolls it away at a set of other kids all lined up like bowling pins who get knocked down in silly CGI style), and little lines and things with the characters (another highlight involves a guy trying to impress two girls in a bar, with some disastrous results). But when it's not being funny, Miike is also an excellent director of young, brawny actors who have a lot of energy and talent to burn. And he casts well enough for its target audience; the movie isn't quite violent enough (i.e. Ichi the Killer level) to make it unwatchable for teen eyes, so all of the guys like Genji and Serizawa are cast for ultimate bad-assitude.Indeed there are some scenes and moments that come close to being vintage Miike for this kind of tough and gritty action movie. There's a fight scene midway through, for example, that is done with no frills and with total excitement as a guy is fighting against a large group of people, and as it starts to rain and he looks down and out he gets back up and, staggeringly, knocks out almost all of them left. It's visceral things like that that work, but it's also how Miike, taking of course from a comic-book (if it weren't a comic-book one would swear a brilliant and ornery teen had written it), takes material that has originality and pumps it up to the level of an crazy sort of epic. Why this school exists and the parents don't mind sending them away to get the crap kicked out of them in a caste system is beyond me, but why carp? We believe it because Miike does, and gets us into the power struggle and the ascension of Genji, even if it means he might go crazy or if another teen, Tokio, possibly may die from a brain aneurysm.Then again, the movie also has some problems to it as well. The whole element of the girls being kidnapped could have been cut-out, or at least given with a little more development with the female characters before they're plucked away as a kind of plot convenience (if not contrivance) just so there's something else on the plate of 's***-we-need-to-take-care-of' in the story. And the climax of the film, imbued with a real epic sensibility with Genji and Serizawa fighting in a big battle with nearly a hundred students on each side to fight, stumbles a bit as its moments of raw power and energy are awkwardly cut with images of the one guy getting operated on in the hospital - it lacks tension or focus except that surgery is going on, who cares, lets get back to the wicked action - and as well a ballad sung by a woman (we see her singing on stage too) and the fighting done in slow motion. It's almost as if Miike goes too far in his excesses in this whole sequence, and ultimately half of it is really great and the other half is just... lame.But for any fan of the director's, or anyone looking for a kooky take on rebellious youth in Japan who are only a couple of steps removed from a Battle Royale scenario, it's a good ticket to take. There's tight acting and (mostly) hard-rocking Japanese punk tunes, and the action is often creative and engaging.
This is fully based on style. It's an exploration of what it means, in a certain moment in time, in a certain culture (arguably global...), to be cool.Everything here is designed to look cool. In fact, whenever we hear about wanting to 'rule' the school, what's in fact at stake is being the coolest there. The fighting is a fundamental issue of that coolness, the best fighters gain admiration, not for their physical skill but for the coolness with what they get out of the situations - even when Genji is defeated after fighting dozens at the same time, he falls in a cool way. To underline this, we come to understand that in fact the strongest guy in the school was in fact away from the main disputes all the way, probably because he is not cool, in the notion of the cool guys (he is cool in his uncool way).This is a thin notion, which probably will appeal to a teen mind (with 24 i'm not quite sure yet if i've ever been a teen). This film gets away with that single thin notion because it is able to support it visually. The director knows a few things about framing and pace, even though he doesn't take many risks (or none at all) in how he shoots the fights.In a way, this is no different, in root, of series like Rambo, the filmography of Chuck Norris or the urban hip-hop acting pose. Different moments in time, and different places on earth, and an important element: this film doesn't take itself seriously, as the others do. This is all staged, and that's clear to us, and it's OK. The comedy bits exist to underline this. Also the parody of the Yakuza, as inferior guys who get beaten up by the school kids.My opinion: 3/5 http://www.7eyes.wordpress.com