Force 10 from Navarone

December. 08,1978      PG
Rating:
6.4
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Trailer Synopsis Cast

World War II, 1943. Mallory and Miller, the heroes who destroyed the guns of Navarone, are sent to Yugoslavia in search of a ghost from the past.

Robert Shaw as  Mallory
Harrison Ford as  Barnsby
Barbara Bach as  Maritza
Edward Fox as  Miller
Franco Nero as  Lescovar
Carl Weathers as  Weaver
Richard Kiel as  Drazak
Alan Badel as  Petrovitch
Michael Byrne as  Schroeder
Philip Latham as  Jensen

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Reviews

Konterr
1978/12/08

Brilliant and touching

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Sexyloutak
1978/12/09

Absolutely the worst movie.

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Dynamixor
1978/12/10

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Borserie
1978/12/11

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

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DrrnHarr
1978/12/12

You really cannot go wrong with any movie that stars Robert Shaw, Harrison Ford, Barbara Bach and Edward Fox and this movie - mauled by the critics on release - really is a great action adventure war movie. In fact the Jimmy Carter White House picked the movie only weeks before its December 1978 opening to be the Thanksgiving movie to be screened at Camp David. Many saw this film as a disappointment due to its attachment to 1961's The Guns of Navarone, but if taken up on its own merits then one can see that this is really nothing more than a fun movie for fun's sake. The movie gets its title from the Alistair MacLean book of the same name, but bears little resemblance to the actual narrative of the novel. In fact the differences are so apparent that MacLean would go on to loosely adapt part of the screenplay into his 1982 book "Partisans". Initially there had been plans to film this movie shortly after the 1961 original with Gregory Peck and David Niven reprising their roles. Following the success of the original movie producer Carl Foreman asked MacLean to write a sequel novel on which a follow-up film would be based. The film was announced for 1967 but after the script got bogged down in development hell MacLean decided to develop the screen treatment as a book and "Force 10 From Navarone" was published in 1968. Throughout the 1970s Foreman tried to secure financing and eventually patched together enough money to finance the production. But by the time the movie finally went before the cameras (some 17 years after the original) it was thought that Peck and Niven were too old and the decision was made to recast. In an interesting footnote to this theory Peck and Niven would team up two years later in the excellent World War II action adventure "The Sea Wolves" in which the two actors played retired veterans seeking one last hurrah, by covertly blowing up a German ship in the neutral Portuguese harbor of Goa in India. Bond fans will notice a number of actors in this movie that had already occupied roles in the Bond franchise or would go on to appear in the series. In addition to Shaw (from "From Russia With Love"), Bach (who was fresh off playing the Russian spy Anya Amasova in "The Spy Who Loved Me"), and Edward Fox (who would go on to play M in the rogue 007 movie "Never Say Never Again") there is also Bach's co-star from "The Spy Who Loved Me" Richard Kiel, who was riding high as somewhat of a cultural icon (hey, he appeared in a Shredded Wheat TV commercial) after playing perhaps the most famous 007 henchman Jaws. The Bond connections do not stop there, George MacDonald Fraser worked as a script doctor after Ian Bannen left the production. Fraser would go on to write the screenplay for the 1983 007 movie "Octopussy." I suppose the Bond connection is most apparent in the choice of director with "Goldfinger"'s director Guy Hamilton handling the honors. His sure direction shows his usual flair and expertise handling action that he so ably previously demonstrated in (perhaps the best of the early James Bond movies) the aforementioned "Goldfinger" and the World War II drama "Battle of Britain." Hamilton does succumb to some espionage clichés at times, such as when one of the characters stumbles across the traitor sending a message, but all of these instances are handled capably and add to the familiar nature of the plot. As already mentioned the plot of the movie is also very different from the MacLean book, but some good Boy's Own adventure that actually flows slightly better than its literary namesake. Shaw (in his last movie role) plays Mallory (yes the same character that Peck played in the original) and he and Fox's character (who was played by Niven in the original) are sent into Yugoslavia to identify and kill a traitor from the first movie. So, they hop a ride along with Force 10 (headed by Ford's character) who are headed to the same location with the mission of destroying a key, strategic bridge. Of course things do not go entirely to plan, and soon the action begins to come thick and fast. An interesting piece of trivia I discovered when researching this movie is that the bridge over the Tara River was actually destroyed by partisans in 1942 with the original engineer that built the bridge involved in the operation to destroy it. Filmed on location in Yugoslavia (with members of Tito's Yugoslav army playing both partisans and Germans), England and Malta the crew had to endure freezing temperatures and even a rash of kidnapping that led producers to limit the actors movements. Shepperton Studios in England provided four soundstages for interiors, and the largest studio tank in Europe (Malta) was used to film the movie climax with a $1 million miniature dam. As previously noted the critics almost universally hated the movie and the movie-going audience did not warm to it either with the $10 million production only bringing in $7.2 million during its U.S. theatrical run. Matters were probably not helped when the U.S. distributor American International Pictures trimmed the picture down from 126 minutes to 118 minutes and redubbed some of the scenes, with an impersonator performing the duties for the late Robert Shaw. However in the 30-plus years since its release the movie has developed a cult following among World War II movie buffs. In an interesting footnote, Columbia Pictures was the defendant in a 2008 lawsuit brought by the estates of the late producers of the film Carl Foreman, Sidney Cohn and Oliver Unger and surviving producer Peter Gettinger over unpaid money from distribution rights. The New York Supreme Court found in favor of the producers, saying they were entitled to funds that had been withheld for over 30 years by Columbia Pictures.

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jc-osms
1978/12/13

It actually took me a few minutes to realise that Gregory Peck and David Niven had morphed into Robert Shaw and Edward Fox for this real-time follow-up to the 1961 hit war- movie "The Guns Of Navarone". That was almost as bizarre as the producers handily dropping the "Navarone" name into the title trying to catch a wave from 17 years ago in a film which has nothing to do with the earlier location.Once you get past that and accept that Harrison Ford has to be the youngest US Army colonel ever conscripted this is an enjoyable old-fashioned war movie although it does seem as if it belongs to another era of movie-making completely. Thus we get the usual Alistair MacLean ingredients of reluctant male-bonding, another traitor in the midst, for no apparent reason at all, a beautiful woman in a central part and of course, a big destructive finish.Shame that the would-be blockbuster finish is so obviously based on model-work but I guess SFX at the times had still to leap to the C-Gen stage. The characterisation is pretty much as you'd expect with the Germans portrayed as stupid and heartless, their partisan collaborators as heartless and stupid, with all the brains, courage and teamwork coming from Mallory and his cell. I could however have done without the racial baiting of Carl Weathers' black maverick soldier, quite unnecessary and unforgivable in a film made in the late 70's.The acting is as solid and stolid as you'd expect, Shaw and Fox demonstrating a stiff upper lip and Ford trademarking American moxy as they all start off distrusting each other but of course wind up as bonded-by-fire buddies by the end.It's fair to say I think that MacLean's writing and movie direction of this style was looking very clichéd and anachronistic this far down the line. That said, I'm a pretty old-fashioned type of guy and even though I found the characters stereotyped and the plotting unoriginal, I still got some sort of enjoyment from watching it.

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Zev
1978/12/14

At the surface, this is actually an enjoyable WWII mission-action movie full of personality and clever twists with double-agents and improvisations by commando soldiers with skill and wit, Alistair MacLean style. I was even enjoying this as much as the original Guns of Navarone, that is, until the plot holes popped up (the original also had plot holes). This is not a dumb action movie that begs you to switch off your brain, so the plot holes pretty much ruin the experience. It turns out the whole plot was very significantly changed from the book though so keep that in mind.*spoilers* The biggest plot hole is the fact they were sent there because they knew Nikolai and could identify him and they knew Nikolai was at least a traitor from personal experience. So when they met him, why would they believe the story about another Nikolai that was the real traitor/spy? Another hole is that it turns out the British were constantly in touch with the partisans so they didn't have to send commandos to kill Nikolai, they could have simply told them to kill him.And then there is the whole bluff with the penicillin. First they bluff that they have it in their suitcase but they can't open it, then when it turns out it has wood inside the case, they say they buried it. Any German with half a brain would see the contradiction in the story. If they buried it for that matter, why bring the suitcase at all knowing that the Germans would force them to open it? Also the masked infiltrators were obviously discovered dead by the partisans first since they knew about it when they nabbed Force 10, so why did they leave the dead bodies there to be discovered by the Chetniks and thus give themselves away? Why would Miller instruct them how to plant the bomb at the dam, but not tell them the critical information that it would be a slow destruction and thus let them know how to time the whole thing so that they could get away and not allow the bomb to be discovered?I also had a problem with the fact that simple explosives could not destroy the bridge but water could. But this may be a lack of engineering knowledge on my part and perhaps the water eroded the ground underneath, except that he was going on and on about how it was attached to rock so I have doubts... Also the effects, although very well done, did not show an overwhelming force of water against the bridge that would convince. But, again, it may just be my lack of knowledge here.Pity, because I enjoyed the rest.

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TurboarrowIII
1978/12/15

I thought this was a disappointing film.Not sure why Harrison Ford made it. Maybe he thought he couldn't go wrong after Star Wars but this is not a good film.Usually I like Robert Shaw as an actor but I thought he was poor in this and came across as a bit of an idiot rather than a professional sent to carry out a dangerous mission.The story about the penicillin was just ridiculous as was the story about hiding it earlier on. In real life the Nazis would have just laughed at the stupidity of it and probably shot Ford and the others.The acting is patchy and the action isn't very exciting.Overall a disappointing film with poor performances.

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