When the American Chicken Bunker, a military themed fast food restaurant, builds its latest chain restaurant on the site of an ancient Native American burial ground, the displaced spirits take revenge on unsuspecting diners and transform them into chicken zombies! Now, it’s up to a dimwitted counter boy, his collegiate lesbian ex-girlfriend and a burqa-wearing fry cook to put an end to the foul feathered menace once and for all.
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the audience applauded
Bad Acting and worse Bad Screenplay
A movie that not only functions as a solid scarefest but a razor-sharp satire.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
"Take this camel jockey out back—and hose her down!" "That chicken has declared jihad on us all!"...and so on.All Hollywood ever gives us are boobs, muscles, aggression and explosions: nothing subtle. Ever. So, the exploitation genre figures, why patronize us with a hackneyed plot? Enter Poultrygeist, a subversive film where we're given sex and violence on a pornographic scale. It's a wonderful addition to the splatstick genre, equal parts satire and horror. It's funny, highly quotable, and worth your time. Gross? Sure, if you think obvious cranberry juice as blood is gross. Offensive? I guess, but it's a movie where chickens replace zombies. If you find this film offensive, then you're most likely a PC fool.I only have three gripes with Poultrygeist. First, there are way too many musical numbers. Songs in comedies never work. All they do is reiterate the plot up until that point, rephrasing already said dialogue, while adding nothing new. Plus they're never funny. Songs slow the momentum of comedies completely, by forcing you to sit patiently and wait for the plot to pick back up just for the sake of squeezing a limerick or pun in with a rhyme now and then.Second, Poultrygeist feels overlong at 103 minutes (90 may even be too long) but on repeated viewings the extra run time may be welcome. I don't often rewatch comedies (who likes hearing the same joke twice?) but Poultrygeist exists in its own special little vacuum and its cult quality is evident. That said, I found the movie kind of dragging towards the end the first time I watched it, and in a single viewing the extra run time hurts the overall shock and awe of the film.Third is not so much a problem with Poultrygeist itself, but rather the attitude (or philosophy) behind its studio, Troma Movies. I watched this entire film on Troma Movie's official youtube site (handy tip: type NSFW ahead of youtube in the URL to bypass the annoying sign-in age filter) and I noticed that the tagline for Troma Movies is "40 years of disrupting media." I just want to point out that Poultrygeist isn't truly "disruptive" media. Lloyd Kaufman is no rebel and and neither are you for watching this film. Anyway, these are minor gripes through and through. Hey: thumbs up just for the Irish priest complaining about the severed member in his sloppy joe and the depiction of the character "Hummus.""Like the dip!"
Poultrygeist Night of the Chicken dead is one of the most strangest films ever. It has a lot of things going for it. Directed by Lloyd Kaufman you no it will be weird. Personally I enjoy Troma films. Yes most of them are bad but they all have a charm I believe. Poultrygeist is the best example of a Troma film, it's satirical and weird with all the things that have become common with Troma. The story is very odd and so are the characters which are my favorite part of this film. The disappointing parts are the musical numbers. Some of them just fall flat which is disappointing as I really hoped that they would be good. Although the story is very odd that doesn't necessarily mean good. It is all over the place and quite stupid at times. Some of the practical effects were good and some weren't. I did really enjoy the acting of this film. The jokes were hit and miss as some were just plain toilet humor but some were very funny. In the end Poultrygeist Night of the Chicken dead was an odd film with some hit and miss elements.
The movie is in the same time gory, funny, stupid, musical (complete with dance routines), offensive, gross , racist and it features Ron Jeremy in a cameo. It's what you get when you build a chicken fast food on an Native American burial ground in Tromaville.You have to understand that I just had to watch it all. I knew it was sick, but I did it anyway. I rated it 3 stars because the musical scenes annoyed me, otherwise I would have rated it 2, that is: so bad it is worth watching.Truth be told, the movie had great potential for fun, I was in a continued state of disgust but with a happy smile on my face at the same time. However, the jokes almost turned into one of those Scary Movie kind and that potential was partially lost.It is not with zombie chickens, but people zombies with chicken attributes. It is not really a horror movie, but a parody. It is what you would get for crossing American Pie with Poltergeist, Scary Movie and a political movie against fast food chains. Damn effective, too. I can't imagine anyone actually eating chicken after they saw this film. You will find yourselves unconsciously ordering veal or pork and not know why :)Bottom line: could have been better, but who am I kidding? They never went for quality here. Had some good jokes amongst a lot of average to bad ones.
It is impossible to describe the movies from the studio Troma Films to the people who have never experienced the sensory aggression provoked by the combination of amateur enthusiasm, technical ineptitude and grotesque humor offered by films like Terror Firmer, Tromeo & Juliet, Class of Nuke'em High and the saga of The Toxic Avenger (composed by four films so far).This legendary studio has made of its filmography an ode to the bad taste, political in-correction and nudeness.In other words, there are not any taboos for Troma Films, and even though its director (corporative and film) Lloyd Kaufman is not tired of classifying his movies as "art" (ironically, I hope so), it is obvious that his main intention is making us laugh, showing us scenes of a very bad taste and maybe making us to think a little bit in between.Or maybe Kaufman takes his art too seriously, and he is the blindest director to his own incompetence.But I am sure it is not like that.Poultrygeist: Night of the Chicken Dead is the 10th "Tromatic" film from Kaufman, and I have to admit this is the most ambitious and polished film from the studio.By "ambitious", I wanna say it has more special effects, more extras and more nudeness.Anyway, like most of the Troma films, I found Poultrygesit to be a fascinating experience, although I am perfectly conscient it is not a movie for everyone.What I mostly appreciated in this film is that it uses its story to bring a genuine message about North American obsession with fast food.I truly appreciated to see that there was a real purpose behind the stylistic and visual excesses.And when I mean "excesses", I am talking about things that even director and screenwriter John Waters would consider as bad taste.For example, there is a scene showing a fat man defecating...shown from the lavatory's point of view.I liked Poultrygeist very much, and I found it to be an excellent example of authentic independent cinema.However, I perfectly understand why some people may hate this movie and consider it as a precursor of the Apocalypse, and that is what makes it difficult to recommend.In summary, this is definitely not a film for everyone.