A sister and brother, the last heirs of a family of acrobats, are called upon by a Buddhist monk sect to retrieve an artifact that their ancestors have protected throughout the ages.
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Just perfect...
I don't have all the words right now but this film is a work of art.
Pretty good movie overall. First half was nothing special but it got better as it went along.
This is a dark and sometimes deeply uncomfortable drama
After TOMORROW NEVER DIES Michelle Yeoh was on top of the world. But instead of continuing her Hollywood career (which knowing Hollywood would have been restricted to very stereotypical Asian woman roles anyway), she began her own new production company and launched THE TOUCH, an Indiana Jones like caper, as her first picture. International distributors lined up around the block to get dibs on this hot property, shot mostly in English to get that international angle. But what was finally released was poorly paced by director Peter Pau, who seems unable to bring energy to a scene to save his life, and saddled with the worst CGI effects I have seen in any movie in a long, long time. The retro-oriental adventure concerns a map which reveals the location of some magic Tibetan artifact which looks like a glowing snow-cone, and retrieval of the artifact by Yeoh's family of acrobats, specially trained through many generations for that purpose. Hint to the filmmakers: When making a movie about a band of acrobats, please cast people who can actually do a little acrobatics. Instead, we have the likes of newcomer Brandon Chang, who not only does not seem capable of a somersault, is a terrible actor to boot. Ben Chaplin is Yeoh's love interest, and Richard Roxburgh is the British bad guy. Although improving the CGI won't improve the bad acting and plodding direction, maybe it would fix the climactic ending, in which fire, stone, rope, and bodies in motion all absolutely refused to obey any known laws of physics. Michelle Yeoh deserves better than starring in her own vanity pictures.
What's wrong with people? whoever started comparing it to "crouching tiger..."? of course you would be disappointed if you expect a similar film, but that's like comparing "the pianist" with the upcoming "king kong" just because adrian brody is in both of them.the touch is actually not even a typical hongkong movie. it feels more like a really good American adventure movie from the early 90's - at the end i couldn't even stop myself from thinking about indiana jones. the film has a nice flow, a great chemistry between the leads and some great goofy humor. and most impressive of all, some amazing cinematography. just those beautiful landscapes alone are worth watching "the touch".sure, the special effects in the final are really bad, they actually look like they have never been finished. some actors are pretty bad, too. but this movie is not about excellent acting but about harmless fun - just everything a nice action adventure should be. don't expect anything else and you'll be pleasantly surprised.
I want to make it clear to everyone (but it will sound really harsh so please pardon me) This movie is the worst movie in the entire universe. It is that horrible and in my opinion this movie don't even deserve a single point for even an efforts. Starting from the script, which is so indescribable how bad it is (it was so unrealistic and cheap, very very cheap character and storyline). The casting is terrible and don't to mention the acting even cheaper than storyline.The CGI is as bad as the movie and I STRONGLY advise any one and everyone not to watch it , it was a total nightmare for me.I am sorry to say all this but it is that bad .Rating : 0.5/10
This film could have been good : Michelle Yeoh, Ben Chaplin, Richard Roxburgh (the funny duke in Moulin Rouge!) and Basil Poledouris (soundtrack). Instead of a good action/fantasy movie, we have this... thing. The story is so stupid, the special effects are very terrible. Oh, yes, you can see many good looking Asian hunks (Karl's group), but these good looking guys were not supposed to be the only interesting thing in The Touch. Poor Michelle Yeoh...