Pretty Good

Best movie ever!

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Porsepr and Mrinanda have adventuer wiht Clabin and Arlie. Alogn the way, tehy meet Frediandn, Aonslo, Garbonzo, Sbestani, Andtonyo, Stoveno, Tincruile, and BOTSWEN. Trogeth, tehy make frendis wiht Siri and Alexa. This is so sad Alexa play Despacito.

This is quite odd, because while I far from thought it was great, I seem to enjoy this movie a lot more than most people. It's probably because I know virtually nothing about "The Tempest" play. From what I've heard, it was reportedly the last play Shakespeare worked on. I just wanted to see a representation of a significant play in his career. I think I'm probably lacking some bias. If I was more familiar with the play like most people, I probably would find it a lot worse. I guess I'm lacking that bias so I think it's a lot better than it probably deserves.I really do like the colors in this movie and how bright everything is. It's hard to review something when the original play is more well known but I actually know little about the play. This certainly seemed to be an experiment for Shakespeare. I really couldn't help but love Russell Brand in this. Seriously, that guy's so much fun I wish I'd see him more. I guess what weighs this down is that it is kind of hard to take seriously. The effects do come off as pretty goofy in this, but I didn't think it was so bad. **1/2

Prospera duchess of Milan (Helen Mirren) was cast off with her toddler daughter Miranda by her brother Antonio (Chris Cooper). Antonio subverted her rightful rule after the death of their father. On the island, she enslaves the beast Caliban (Djimon Hounsou) taking control. Twelve years later, Miranda (Felicity Jones) is all grown up. King Alonso (David Strathairn) is sailing back after his daughter and her new husband's wedding with his son Ferdinand (Reeve Carney) and Antonio. Prospera takes revenge by unleashing a tempest to wreck their ship and stranding them on her island.Julie Taymor does Shakespeare by replacing the main male character with a woman. That's basically the bulk of what I took away from it. Shakespearian scholars will have lots more to debate. For the rest of us, this is an acting and writing exercise. Helen Mirren is one of the best actresses around. It feels different to have a woman as Prospera but not necessarily inferior. It feels less intense but maybe almost as compelling. The special effects are not the most well made. At times, it looks like a good TV movie. Julie Taymor doesn't have the best CGI talents. The sparse Hawaiian location is more compelling. More than the usual Greek islands, these locations project power and isolation. The other actors try their best but the men don't excel. Djimon Hounsou gives a reasonably beastly performance. Felicity Jones is overshadowed by Helen Mirren. Other than the locations, I don't have anything outstanding to stake my review on.

A few years after my original review, I have re-watched some of this film and have tried to be kinder. This is my amended version. I am sorry to still have to be so negative and I'm sure others have enjoyed it, but I can only say what I think. Whenever I write a review, I always think hard about how to start. But in this case, it is easy. This could have been fairly good, but sadly it is a truly dreadful film. The difference between a good film and a bad film can be a few small things and usually they are the things that destroy the magic. The Tempest of course is all about magic but the film destroys it. Totally. I'm sure the idea was saleable, particularly with the then celebrity Russell Brand in a lead role, but things must have started to go downhill from then on. There must have been times when they wanted to cut their losses and abandon it, but they pressed on hoping the SPFX would rescue it - instead it just made it worse. Julie Traymor's direction leaves a lot to be desired - she seems to be constantly struggling to hold things together. The use of a female lead is baffling although the actor, Helen Mirren, who normally plays the Queen of England, does a good job and manages to hold the whole tottering mess in some sort of shape. Tom Conti, a fine actor, manages to get through the laughable screenplay with his dignity intact, as does Alan Cumming. Dijimon Hounsou however is the worst Caliban I have even seen, and I have seen quite a few - again a good concept that didn't work. Alfred Molina, again a fine if limited range actor manages to keep his head down and put in a passable performance. Russell Brand is unspeakably awful as Trinculo - an idiot over-acting if ever their was. Again, good concept but didn't work. Stuart Dryberg's cinematography is patchy. The early exterior shots are useful for a "how not to" at a film school truly some of the worst exterior lighting since Dad's Army. Look at the credits and you'll find a huge crew who managed under Taymore's direction to product a piece of rubbish - why didn't someone speak up for goodness sake? But perhaps they knew but with all that money at stake, just couldn't abandon things. A new director for sure, a lot of re-shoots, a new Trinculo perhaps could have rescued it. But perhaps not.I have worked on amateur productions of this fine play which have been infinitely superior to this awful film and I would not insult amateurs by describing this as amateur - it is nowhere near that quality.