Fantastic!

Best movie ever!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Blistering performances.

Lakeview Terrace (2008) does have some pretty solid acting performances from Samuel L. Jackson, Kerry Washington, and Patrick Wilson. They all really carry the film and do a great job doing so. The premise is very interesting and intriguing, which is what interested me in it in the 1st place. The tension between characters is great and very real seeming. There are times towards the middle part of the film where it can seem too slow, but it does speed up a good bit towards the end. The violence isn't over the top bloody or graphic, it's well done. The movie has thrilling/suspenseful scenes that will definitely rev up your adrenaline and elevates the movie. But if you ask me, the thing that carries this film, is the actor's performances all throughout it. Great job to the cast! Because to be honest, if the performances here weren't good, this would've gotten a much lower rating than a 7/10.

That's the second time I see this very good thriller. Four years after the first one, back in 2008. I totally agree with everything the other users say about this film. Yes, yes, yes, Samuel Jackson gives here a wonderful performance. His character as a very ambivalent cop, racist - black racist !! - is absolutely unforgettable. So rare in usual foreseeable topics. It reminds me another movie I saw in 1992 - UNLAWLY ENTRY - starring Ray Liotta as a very sympathetic cop with the hero couple at the beginning of the feature, and very bad one as the story goes on...Except that there was not the racism point of view in the 92 film.The good family man, good father, rough and very effective cop, but racist at the most, and in an exceptional way of showing it.I would recommend it, even to my worst enemy, if I had one.

This movie is actullay turned out to be pretty watchable. I went into it with low expectations and I was pleasantly surprised. It of course has its flaws. The whole premise of the story is kind of unbelievable. Though if you take your head out of it and just enjoy it is quite good.This movie is about an interracial couple that move in to a house next door to a cop. This cop is an apparent bigot and does not like the fact that the white man is with a black lady. Right away he starts harrasing them and the harassment just keeps getting more extreme.Like I said if you tend to not think about movies much as you watch them by all means this will be a great watch the acting is above par for sure and there is some good scenes. If you are like me and think

For years, Hollywood has tended to shy away from the sensitive subject of racially mixed marriages, but in recent years there have been signs that the taboo has been weakening. "Mirrors", for example, featured a racially mixed couple, and "Lakeview Terrace", another film from 2008, is an "issue" movie centred upon that very theme. (In both films the husband is white and the wife black; Hollywood still seems reluctant to make films dealing with the opposite situation, which is in fact statistically more common in real life).The film takes its title from a racially mixed middle-class neighbourhood in Los Angeles. The central characters are a young interracial couple, Chris and Lisa Mattson, and their next-door neighbour Abel Turner, a black officer with the LAPD, with whom they have a tense, uneasy relationship which soon degenerates into open hostility.The film starts off as an examination of two conflicting lifestyles. Abel, a widowed father of two young children, is considerably older than the Mattsons and is more politically and socially conservative; he is, for example, sceptical about global warming and keen to defend the police against allegations of brutality. He is a strict father, something shown by the way in which he constant corrects his children whenever they make a grammatical error. Chris and Lisa, by contrast, are more cosmopolitan and liberal; it is ironic that Chris, the young white professional, is a fan of hip hop music, generally regarded as the music of working-class urban blacks.Abel is sometimes described as a racist, but his is a specialised form of racism. He is not prejudiced against white people per se; he is happy to live in a racially mixed area, and would have no objection to living next door to an all-white couple, especially if they shared his social attitudes. He does, however, object to mixed marriages, and this is one of the reasons why he dislikes Chris and Lisa. This attitude may derive from an incident in his past. He was widowed when his wife was killed in a road accident alongside her white boss, with whom he believes (possibly incorrectly) she was having an affair.In the second half of the film it turns into an example of what I have come to regard as the "…… from Hell" movie. The basic premise of such films is that the life of the protagonist is turned upside-down by the arrival of a stranger who initially seems friendly but who quickly turns out to be dangerous. (This sub-genre of the thriller enjoyed great popularity in the late eighties and early nineties following the success of "Fatal Attraction", or "One Night Stand from Hell"). In this case it is Abel who is the villain and Chris and Lisa his victims; they may have to some extend provoked him, but his behaviour degenerates from the merely unneighbourly to the criminal to the murderous.I have given Lakeview Terrace a relatively high mark because of the original way in which its ideas are developed in the first part of the film and because of the quality of the acting, especially from Samuel L. Jackson as Abel, or at least the Abel of the early scenes. He is portrayed as a proud man, one with a short temper, but a loving if strict father, doing his best to get his kids off to a good start in life, and Jackson is able to bring out all these facets of his character, as well as hinting at the possible latent violence underlying the surface.Nevertheless it was in my view unfortunate that the scriptwriters and director Neil LaBute allowed the film to turn into a "….from Hell" movie, because the first half is actually much more interesting. Abel might end up as the neighbour from Hell, but at first he himself has several legitimate causes of complaint about the behaviour of the Mattsons. (They have been making love in their outdoor swimming-pool, in full view of Abel's children, and Chris has been flicking cigarette butts over his fence). By slavishly following the conventions of the conventional suspense thriller, the film loses the opportunity to examined the little-explored phenomenon of black conservatism and the way in which it conflicts with the cosmopolitan liberalism of many- both black and white- in the younger generation. It would appear that in Hollywood it is still OK to make a black man the villain, provided that he is sufficiently reactionary to offend against the canons of political correctness. A more conciliatory or nuanced ending might have made for a more interesting film. 7/10