Remy McSwain is a New Orleans police lieutenant who investigates the murder of a local mobster. His investigation leads him to suspect that fellow members of the police force may be involved.
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Good films always raise compelling questions, whether the format is fiction or documentary fact.
Easily the biggest piece of Right wing non sense propaganda I ever saw.
The acting is good, and the firecracker script has some excellent ideas.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
For a film about violence, crime and police corruption, The Big Easy sure is easy going and colorful. The characters are the liveliest bunch of rascals and it's a pleasure to spend every minute with them. Dennis Quaid plays cocky New Orleans detective Remy McSwain, a swaggering smooth talker who's gotten wealthy taking payoffs, a dude whose silky charm matches his swanky suits. He's gotten used to the easy life in the police department, with a captain who looks the other way (Ned Beatty brings a jovial, rotund presence), and colleagues (John Goodman is perfectly cast as the witty loudmouth of the bunch) who are just as happily willing to bend the rules as him. Trouble arrives in the sultry form of D.A. corruption task force specialist Anne Osborne (a swelteringly hot Ellen Barkin) who leans on Quaid as heavily as he hits on her. There's immediate and electric chemistry between them, which she adamantly fights, and he chases like a horn dog pursuing the bumper of a speeding Buick. Quaid and Barkin have the same spitfire sheen to their work, their careers dotted with performances that are flashy yet brave, pulpy yet laced with depth. Here they're having oodles of fun and carry the entire film on their crackling star power and romantic spark alone. There's also a subplot involving a rash of gang killings, as well as family matters involving Quaid's vivacious Cajun clan, including his Momma (monumentally talented Grace Zabriskie). It's a lively hodge-podge of plot elements we've seen a zillion times, but given such flippant style and good natured southern hospitality that we can't help but be won over. There's some lovely live performed Cajun music as well to add extra spice.
The Big Easy is directed by Jim McBride and written by Daniel Petrie Jr. It stars Dennis Quaid, Ellen Barkin, John Goodman and Ned Beatty. Music is scored by Brad Fiedel and cinematography by Affonso Beato.Remy McSwain (Quaid) is a slightly corrupt New Orleans cop, who whilst investigating the murder of a mob man, finds himself under scrutiny by assistant district attorney Anne Osborne (Barkin). The waters start to become muddied when the pair begin to have a passionate affair, just as the can opens and worms spill out everywhere.It's an odd film at times, a bit too jovial to be considered proper neo-noir, and Quaid's Southern accent takes some getting used too. It's also nearly derailed in quality as conventionality dominates the last quarter of film.Yet judged on its own thriller terms it entertains well enough whilst also having some neat technical touches to help it along. Petrie's script contains spiky dialogue and a number of bravura sequences light up the otherwise standard crooked cop story.McBride dose good work on this, he opens his film up with a cracker of a camera tracker, and he makes good use of the New Orleans locations. He also has a good sense of prop choices to help the mood, none more so than with a scene involving Mardi Gras costumes, whilst he gets strength for the film by garnering tense and sexy performances out of Quaid and Barkin. Support actors also leave good marks, with Goodman as a cop colleague dominating the screen and Charles Ludlam almost stealing the film as McSwain's dry and near sleazy lawyer. Soundtrack, too, is well thought out, with the Cajun flavours spicing up the sweaty Orleans stew. 7/10
I will start by saying that I didn't pay full attention to this film while watching, I was doing something else at the same time, but to be honest it didn't look all that engaging anyway, but I tried my best. Basically in New Orleans, lieutenant in Homicide, Det. Remy McSwain (Dennis Quaid) is investigating a series of gang killings in he city, and at the same time being followed by beautiful attorney Anne Osborne (Ellen Barkin). As the killings continue he starts a relationship with her, and he ends up in the court charged with accepting bribes, while the criminals are obviously still on the loose. After a series of chatty scenes are a small chase or two, we find out in the end that the bad guys are actually cops, one being Det. Andre DeSoto (John Goodman), but they get their comeuppance, and Remy and Anne go on together. Also starring Ned Beatty as Jack Kellom, Ebbe Roe Smith as Det. Ed Dodge, Lisa Jane Persky as Det. McCabe, Thomas O'Brien as Bobby McSwain, Jim Garrison as Judge Garrison and Carol Sutton as Judge Raskov. Quaid was reasonable, as was Barkin, and I guess there was a spark between them, and Goodman did okay in his moments, apart from the courtroom and dockyard scenes there were not many highly engaging moments, but what I paid some attention to was relatively interesting, in my opinion, an alright crime thriller. Worth watching!
"The Big Easy" is a great movie which simply oozes charm and atmosphere from start to finish. Its unique blend of action, romance and humour is complemented brilliantly by the idiosyncrasies of its characters, some irresistible music and the colourful location in which it's set. The whole notion of New Orleans being a place where life is lived at a relaxed pace and where pay-offs are the norm is conveyed in a way which seems totally authentic and interestingly, this culture appears to be equally prevalent in both the criminal and the law enforcement fraternities.Homicide detective Remy McSwain (Dennis Quaid) is conducting an investigation into a series of murders where local mobsters have been the victims when Assistant D.A. Anne Osborne (Ellen Barkin) arrives on the scene to carry out her own investigation into alleged police corruption. There's an instant attraction between the easy going Remy and the straight laced Anne and she's gradually won over by his good natured banter and natural charisma.When the couple go out to dinner, it becomes clear to Anne that it's normal for Remy to be given free dinners by the proprietor of "Tipitina's" and later after Remy is caught accepting a pay-off during a sting operation, it falls to Anne to act as the prosecutor when his case goes to trial. Remy doesn't regard himself as corrupt as everyone in the police department enjoys kickbacks from the "Widows & Orphans Fund" which is financed by money which the police raise from the local shop owners. The prosecution's case then runs into trouble after some unorthodox action by his colleagues ensures that the evidence against Remy is made unusable.The couple's relationship is temporarily derailed when they're on different sides during the trial but later when it becomes necessary to do so; they agree to work together again.Remy and Anne are profoundly different in the sense that she sees what's permissible within the regulations in terms which are very black and white whilst Remy is a pragmatist who is perfectly comfortable operating within the grey areas. On one occasion she says to him "You're supposed to uphold the law but instead you bend it and twist it and sell it"....."Why don't you just face it Remy? You're not one of the good guys anymore". On another occasion Remy says "This is New Orleans darlin'. Folks have a certain way of doing things down here. People like to show their appreciation". During the course of the story, Remy gradually starts to recognise why she sees things the way she does.Dennis Quaid is terrific as a character who like the movie itself is bright and breezy, charming and very good humoured. Ellen Barkin is perfect as the uptight Anne who's completely horrified by some of the practices which she witnesses during the course of her investigation and the supporting cast are also excellent (especially John Goodman, Ned Beatty and Charles Ludlam)."The Big Easy" is pure entertainment and great fun and unsurprisingly was a big commercial success.