This movie is the proof that the world is becoming a sick and dumb place

The film may be flawed, but its message is not.

The film may be flawed, but its message is not.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I watched this film last night, two weeks after the bombing at the Boston Marathon, where some virtual bystanders are still wringing their hands about how "normal" and "sweet" Suspect #2 was. The parents are angry and either in utter denial or (at least with respect to the mother) in silent conspiracy, claiming that the brothers were framed and they could not have been terrorists. The characters and plot line in "Beautiful Boy" resemble the Sandy Hook horror even more closely. Imagine that Nancy Lanza was not killed by her son and that Peter Lanza still lived at home, unhappy and on the verge of moving out. Their anguished discussions, how they individually deal with the guilt and grief, their desperate investigation of their son's life for clues as to how and why, the blame and heartbroken accusations that they hurl at each other - - these are so spot on that the film can be uncomfortable and unnerving. The movie also masterfully captures the wide spectrum of others' reactions. The brother and sister-in-law who offer their home and as much love and sympathy as they can, but still emit occasional flashes of blame and fear for how their own son could be impacted by their presence. A young author who the wife believes is a friend, until she finds him hunting through her son's belongings for material for the book he wants to write. The open house held for the home, where media vultures, neighbors with cameras, and the thrill-seeking curious thoughtlessly devour the cookies the wife baked, hoping that they would make the house smell better. Michael Sheen and Maria Bello play the roles of husband and wife with precision and depth. Moon Bloodgood (soon to return in the upcoming "Falling Skies" season) seems somewhat dispassionate and impersonal in her interactions with others as the sister-in-law, but that is a criticism I have for most of her performances. The scene where she expresses frustration to her husband about Maria taking over control of the home comes across as rehearsed. Alan Tudyk (currently in "Suburgatory") as the brother is more sympathetic to the plight of his family, but also displays a limited range of emotion. The son, played by Kyle Gallner, is mesmerizing in his few moments of screen time, and I feel that the movie would have been much stronger if we were permitted to see a little more of his college environment and the days leading up to the shooting.However, I recognize that is the very point of the movie - - we want to understand how people make these terrible decisions, but we never can see enough evidence because ultimately there is nothing that can justify such evil. The parents, who are arguably the ones who should have the best chance of understanding their children's motivations and conduct, are often as lost and confused as the rest of the world, with the added component of trying to comprehend the degree of their own culpability. Those dynamics are nicely captured in this film.

I saw a quick preview of this film and instantly bought it. I had never seen a film made in the perspective of a shooter's parents before and i was wondering how it would be made. I think that this film was well-made. Nothing to jump off the roof about, but definitely not a cringer either. What i enjoyed most was watching the dynamic of the about to split up couple go through it's ups and downs--it was VERY realistic and i appreciated that touch there. Although, i would've been happier to know more of the details about the shooting and why the son did it--but i guess just like in real life, you never really know why mass shooter's do these things. You just be a good parent and hope for the best. I enjoyed the heart in this film.

Very bland.. The shooting should have happened in the middle of the movie- instead, it happens right away before you get to know the characters or feel anything for them-there's no contrast to the movie-the acting is not the best either--or the directing. We know everything in the first 5 minutes. What's the point of watching the rest of the movie? you skipped right over the boy and the school. There is nothing to compare the tragedy to.After 5 minutes i was bored. It was shot on video and looks like a home movie.It never touches you because we don't see enough of their lives before hand. We cant see the reason he does what he does. How are we supposed to feel anything for anybody when there's no getting to know anything about anybody?-with the exception of a 15 second phone call. I really wanted to like this movie- it could have been really touching but it stayed in the same mode through out the whole movie from the beginning. The characters were colorless

BEAUTIFUL BOY fills a gap in our understanding of how events change us. The story is three stories, really: a marriage in disarray due to an increasing distance between a husband and wife, the terrifying discovery that an only child is dead, and the horror of the reality that that dead child murdered classmates and faculty at his college without a knowledgeable prodrome. It speaks loudly to contemporary marriages and families torn asunder by lack of communication in a time of sheltered or imposed privacy of cellphones, blogging, computers that prevent face to face communications at critical times.Bill (Michael Sheen) and Kate (Maria Bello) are living a stalemate of a marriage on the brink of ending: Kate is a proofreader for writers (currently for Cooper played with great sincerity by Austin Nichols) while Bill immerses himself in his business life. They now have separate bedrooms, their only tie is their son Sammy (Kyle Gallner) who is off to his first year of college. Bill and Kate learn that there has been a shooting incident at Sammy's college and that a number of students were killed. When police arrive at their home they receive the news that Sammy is among the dead but worse than that, Sammy is the one who killed all the students and faculty and they committed suicide. Bill and Kate are devastated, become the source of the paparazzi and move in with Kate's bother Eric (Alan Tudyk) and sister-in-law Trish (Moon Bloodgood) and their young son. The tension continues to build and when Kate attempts to hide her grief by caring for the brother's house and family, Bill and Kate move to a motel run by a compassionate clerk (Meat Loaf Aday). Events happen and Bill and Kate flirt with restoring their marriage only to separate: the manner in which they find their way back toward sanity by confronting their own demons is the quiet way in which this story ends. Instead of a predictable happy ending the audience is left in the throes of the mending process - a writer/director choice that makes the film far more dramatic than most.Sheen and Bello give razor sharp portrayals of these two devastated, questioning people. This is their film and the way they react to every moment of the story is simply uncanny. Their performances are staggeringly well done. But then the entire cast is polished, making this film a model for other films about difficult life situations credible. Grady Harp