Brilliant and touching

Absolutely Fantastic

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

There are better movies of two hours length. I loved the actress'performance.

Lots of clips from everywhere, but no context. Very slow paced and kinda boring. Visuals are good but editing is horrible and the message or voice over on visuals doesn't make sense. Even when playing the movie in double speed felt the movie is too slow. Don't waste your time watching it.

A project that had reportedly been on director Terrence Malick's radar in some way, shape or form for over 30 years, The Voyage of Time (one of two released versions of this story, one being a shorter IMAX version) is the famed Texan auteurs first ever foray into documentary filmmaking.Building upon the 20 minute segment that played out in Malick's Tree of Life from 2011, where we took a visually stunning trip to the beginning of the universe, Voyage of Time see's Malick explore the very moment the world we know came to life, from colourful cosmos's clashing together in space, volcano's bubbling to life, water springing forth from the earth and the beginning of nature.Those heading into the Voyage of Time expecting a Natural Geographic like presentation and scientific rundown of what is taking place on screen will be left wanting from Malick's film that even with Cate Blanchett's sporadic and riddle like narration, takes place on one of the director's known levels where he'd rather not explicitly explain what exactly is occurring at any given time.Without doubt, Voyage of Time is an often visually spectacular experience; it's frequently hard to even tell when CGI has been moulded into real captured footage but a problem many have had with Malick's more recent films; that being they aren't nearly as engaging as his early works were, rears its head again here in Voyage of Time.No matter the amount of pretty imagery, Malick's journey through time can't engage our hearts, there's almost a sense that we are just watching a director conjure up some eye capturing visual treats without much care for tying them all together. This version of the film also carries some annoying detours to modern day footage or grainy archival footage, footage that constantly takes us away from what was previously happening and it's hard to justify many of these scenes appearances.Final Say – A frustrating film, a project that could've been anything, Malick's The Voyage of Time is technically brilliant but cold as both an engaging documentary narrative and an educational tool piece. As most seem to say, if you're going to watch one of Malick's Voyage's make it the shorter IMAX experience.2 ostrich eggs out of 5

This film is a collage of scenes from astronomy, physical geography, marine biology and anthropology.I've watched many Terence Malick's recent films, so I know what to expect. It certainly does contain many visually beautiful scenes, that I would marvel at when I watch the National Geographic or the Discovery Channel. However, I'm not watching these channels. The narration tries to make the film sound deep and profound, but ultimately it isn't. It's a pretentious pseudo-philosophical film.

Viewed by Larry Gleeson during the 73rd Venice International Film Festival at the Sala Darsena Theater.Acclaimed director Terrence Malick (Tree of Life, The Thin Red Line, Badlands) is bringing to light consciousness of the universe and what it means to be a human being in the present moment in his latest production, Voyage of Time: Life's Journey, produced by Dede Gardner, Nicolas Gonda, Sarah Green, Bill Pohlad, Sophokles Tasioulis, Brad Pitt and Grant Hill. Paul Atkins served as the Cinematographer while Dan Glass handled special effects. Keith Fraase and Rahman Ali provided editing. Cate Blanchett narrated this version.Director Malick reached out to a Harvard Professor of Natural History and the author of Life On a Young Planet: The First Three Billion Years and Biology: How LIfe Works, Andrew Knoll, and said he wanted to make a picture about natural history and the cosmos grounded in science. Malick had long been an admirer of natural history films drawing inspiration from earlier films such as Cheese Mites, a 1903 landmark film by British cinema pioneer Charles Urban and zoologist Francis Martin Duncan, depicting the microbial world inside a piece of Stilton cheese, and George Melies' 1902 Le Voyage Dans La Lune. Knoll had seen Malick's recent film at the time, Badlands. Having enjoyed the film, Knoll agreed to be a part of it. Little did he know of Malick's appetite to thoroughly investigate and devour subjects and correlating theories.An ambitious project in the making for over two decades, Voyage runs the gamut of time from the first cells splitting and foraging their way in and through their vacuous environment to the land of the dinosaurs and Tyrannus Rex to the dawn of man up to today and into the future with sweeping visuals and spectacular effects sure to encapsulate and stimulate the mind's imagination of time and place.The result is a journey uncovering what shape and form time has given and what shape and form that time has taken. From the early Primordial III stars that ushered the first sparkles of light to the universe and the Tiktaalik fish that came out of the oceans to walk on land.Special Effects Supervisor Dan Glass provided wide-ranging special effects from an Austin, Texas photographic laboratory called Skunkworks, a techie and industry term connoting radical innovation in research and development in conjunction with a variety of scientists and artists who collaborated to give representation to abstract images. While chemical experiments were conducted, a myriad of liquids, solids, and gasses were filmed at high speeds to generate a spectrum of effects as the team produced an array of stunning images.In addition, sublime photographs from the Hubble Space Telescope, NASA's interplanetary space probes, the Solar Dynamic Observatory - a satellite observing the sun, as well as adapted supercomputer simulations and electron-microscopy are added to the production's visual cornucopia of images.Long time cinematographer Paul Atkins was charged with assembling a series of forest and desertscapes as well as seascapes to provide backdrop for the computer generated imagery of long-lost species. To provide contrast and to remind viewers of the ebb and flow of existence - and its future- , contemporary images of humankind were collected from lo-fi Harinezumi cameras Malick handed out to people across the globe that produced warm and fuzzy, colorful images.Sound designer Joel Dougherty created and meshed in natural and speculative sounds of the universe. Meanwhile, Music Supervisor Lauren Mikus working closely with Malick selected instrumental pieces to evoke the swirling, swelling and creative energy at both ends of the magnitude scale.To watch Voyage of Time is a journey unto itself. Malick tells his story in a non-linear fashion allowing the viewer to create meaning from what's being shown and from what's being seen. The film opens with an establishing shot of clouds and blue skies. The shot is juxtaposed with a cut to a dystopian futurist refugee camp with fires burning. Then, a jump is made to what appears to be plasma. Cate Blanchett's voice-over begins with a soothing quality as she vocalizes, "Light giver. Light bringer. Who are you?" Blanchett continues with some pretty heady questioning throughout the rest of the film's narrative:"What brought me here? Where are you leading me? Who am I to you? Will we always be together? Where are you? Mother, does your goodness never fail? Will you abandon me? Did love make me?" If you like stunning visuals and mind-boggling questions, I would hallucinate that this is a film for you. Recommended.Voyage of Time will be released in two differing formats. One a 90-minute poetic foray full of open questions narrated by Cate Blanchett and the second a 45-minute giant screen adventure for all ages narrated by Brad Pitt.