Riding across Manhattan in a stretch limo during a riot in order to get a haircut, a 28-year-old billionaire asset manager's life begins to crumble.
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Reviews
How sad is this?
best movie i've ever seen.
A lot of fun.
A movie that not only functions as a solid scarefest but a razor-sharp satire.
A film that leaves you feeling, "WTF?" This avant-garde work oozes with symbolism and metaphors. The first one you should pick up on is the rat. The rat symbolizes a universal currency when society is at its lowest point. Toward the end of the film, Eric's barber comments "You're hair is ratty." Investor Eric Packer (Robert Patterson) represents all rich people whose world must be destroyed to make way for the new. This is your basic Phoenix or Shiva philosophy. Eric is being driven through NYC as all kind of events are happening outside of his limo. Eric is shielded from these events as his financial world goes to ruin. The world outside passes by almost in a surreal fashion and at times he blocks it out altogether.We have the destruction idea as Eric has bet against the Yuan, Chinese currency. The theory implies that China is the new empire built upon the ashes of our American empire. Don't bet against it.The people who enter Eric's cab appeal to be bits and pieces of his psyche. This is brought out when one woman who prattles on about philosophy (some key metaphor points) and claims she is his "Chief of Theory." Sarah Gadon plays Eric's trophy wife, a woman he knows nothing about and hasn't slept with. Their whole relationship was odd and clearly symbolic of...God knows what. Eric builds his world on formula and balance when life has neither.For people who like their films straight forward, forget it. Good luck with this one.Parental Guide: F-bomb, sex, full frontal nudity (Patricia McKenzie). Perhaps the longest "finger wave" in film history.
Yes, it's a crass film, pretty much about being stuck in a limo in Manhattan during political unrest - the Rat whatevers. It's a crass film because such a concept is simply voyeuristic. And it sounds smart but ridiculous, on my second watch it fell into place and not I am a bit more impressed with the fine script that made this possible. And, it's pretty zen, with his underlings coming to him to consult, and there's babble about unchartables, it's not chartable this, it's not chartable that. Which I took to mean, on the second watch, that it's about being part of the thing, rooting out the cause somewhat instinctively, like any artist/scientist. He identified the root cause, went there, lost track of the complex, which he had to do, and how dangerous really were those security people? He seemed to infiltrate them, plying people off with goodies. Only his wife gets him. And hates him, because she's old money and he is just a genius, son of a driver, probably. And, in the end, he finds his man, the master manipulator, and he is recognized. And they take pot shots of one another, and it's funny, but he has to keep them reacting! One final question - what would have happened if he would have stayed in the office? Don't play into those short squeezes, brothers!
Cronenberg's Cosmopolis is an adaptation of Don DeLillo's novel. The Novel is accepted as unfilmable an as one of the few novels which composes a precise image of our zeitgeist. The movie is not just based on Cronenberg's clever written script that could be a marvellous play for theatres but also a well directed movie with a talented cast and gets the audience into the atmosphere of a Japanese surreal anime. Nonetheless the movie is a marketing mistake of its kind. The negative reviews that emphasis the main actor Robert Pattinson's ex-sanguine performance are not to understand, since he is exactly as vampire as his character Eric Packer, a 28 years old egoist with a lot of money. However the reason of the box-office flop can be understood. First reason is the difference of target groups: It is possible that neither real Cronenberg fans (because of the poster of Pattinson on the foreground) nor Pattinson fans (since it's not a teenage movie) had the intention to see the movie. Second reason is he wrong advertisement: The audience watches an action trailer but finds out it is a Japanese surreal anime. This masterpiece of art proves us that even sci-fi legend David Cronenberg can flop on box-office.
I had avoided watching Cosmopolis because of the unsympathetic reviews it received from critics. Surprisingly, this is a very thought provoking film that delves into the disastrous consequence our society is headed for. First of all, Critics (the so called paid ones): Were you actually listening to the dialogues or were you just not paying attention to what was going on? Did any of the dialogues strike even a remote chord of reflection on , for example, the fact that the firms or companies most people work for actually treat them as worker bees? That actually while we talk and stress on our individuality and unique perspectives are actually forced to follow and sacrifice ourselves to a vision of the more powerful and influential members of the society? Robert Pattinson is a revelation, he has been working very hard in all the movies recently such as The Rover, Maps to the Stars among others. We are sure to see more of this talented actor as he seems to choose his roles in movies more carefully than his equally if not more talented peer Danielle Radcliffe. The open ended conclusion in the story is bound to leave a few viewers a bit miffed but the whole point of the story is not the conclusion but about smart billionaire's approach to life especially when he feels little empathy or achievement because everything in life was given to him. This is today's generation who live their lives as if death would never conclude life. If you see closely, you will notice that today's work pressures are created artificially by people like the ones portrayed by RPatz: They are joyless mostly unhappy workaholics who would keep pushing people without having any empathy about what they are going through! All in all, a movie well worth watching more than once, thanks for reading!