Beth, a bookish teenager, befriends Emilia, an aspiring novelist who has just arrived in town. Emilia soon begins an affair with Beth's father that threatens to have devastating consequences.
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Too much of everything
hyped garbage
Easily the biggest piece of Right wing non sense propaganda I ever saw.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
A seaside inn is run the Fischer family, consisting of two daughters and their parents. Their lives are in a rut as they mark time, day to day.When we first meet Emilia, she is lighting firecrackers and dropping them in a barrel, inciting action by the local police. She is an irreverent 17-year-old who likes to break the rules and shake things up. When she is introduced into the Fischer household, she is like a spark that lights a fuse.The actions that follow are sometimes predictable, sometimes not. But the result of this volatile situation is what the viewer must wait for.The film's title is a reference to Coleridge's Albatross; the film reveals how it applies differently to three of the characters. It is up to the viewer to determine in what other ways the title refers to burdens the characters must bear.Albatross is a delightful film. The story is charming even as it is fraught with dangers. The acting is top notch. I would not change one performer. The background music ranges, appropriately, from whimsical to poignant. This British film is a drama filled with comedy. And it shows how life's resolutions sometimes come from tragic moments.
..I just wanted to jump on the Jessica Brown-Findlay bandwagon here as her performance was beyond amazing...it's not often you are able to witness that special moment when you just know that the young actress you are watching is most certainly destined to become a major star...such is the case with Jessica Brown-Findlay in Albatross...not only does she steal the film and every scene in which she appears, she complete enchants and beguiles you with her charm,wit,charisma and screen presence. Her power is such that without her, this would have been a typical coming of age story of young girl/woman....she single-handedly captures your undivided attention, inspires your romantic fascination with youth, beauty, and a vitality & passion for living life to the fullest...I challenge any male from 18 to 80 not to fall at least a little in love with her...must see!
A fabulous pastry pleases all your senses and leaves you with a bit of chocolate on your lip and wanting more. I gorged on this one. But there's more to be said for this movie. It takes a clever but easily clichéd story line and spins it out so freshly creative it makes your face hurt from smiling. And all the moguls with the money should line up to honor Jessica Brown-Findlay who took a cleverly written part and turned it into an award winning performance. But I must be honest and say that the TR-2 might have influenced me. When I was 16, I lusted for a bright red version on the showroom floor in upstate New York. How much better can you make a movie for a 71 year old incurable romantic who can still remember what lust is all about.
Now and again a quiet little British movie pops up to remind us just how well the Brits know how to mix comedy and compassion. Such is the case with ALBATROSS, a gentle, sensitive tale written by Tazmin Rafn and directed by Niall MacCormick about a social misfit who imposes herself on a family in desperate need of a wakeup call. The film is blessed with a very fine cast (especially the blossoming of young actress Jessica Brown Findlay - remembered for her ongoing impressive role as Lady Sybil in 'Downton Abbey') and for the breathtaking scenery of the Isle of Man. There is comedy here to be sure but here are other lessons about family and friendship and relationships that are importantly placed in perspective.Cliff House is the Bed and Breakfast run by a dysfunctional family: the bitter mother Joa (Julia Ormond), her writer's block housebound husband Jonathan (Sebastian Koch) who wrote a book Cliff House 10 years ago and nothing since, bookish teenager Beth (Felicity Jones) and young Posy (Katie Overd). Into their lives pops Emelia, a rebellious, seductive and intelligent teenager whose sole claim to fame is her apparent ancestor Arthur Conan Doyle (she dreams of becoming a writer to carry on her legacy). Emelia takes a job as a cleaner at the B&B, befriends Beth - drawing her out of her mousy self perception in to the throes of early adulthood, begins an affair with Jonathan and gets scowled at by Joa. Emelia's only living family (her mother committed suicide recently) are her grandparents - Granny (Hazel Douglas) suffers from Alzheimer's Disease and Grandpa (the always superb actor Peter Vaughan - for whom she holds deep affection and caring.Beth is due to travel to Oxford for interview and despite the misgivings of Joa and the now lovesick Jonathan, Emelia accompanies Beth to the interview, there discovering the wilds of being raw and naughty. Upon return matters change: Granny dies, Emelia grieves, the affair between Emelia and Jonathan becomes open, and everything must change. The albatross of the title refers to the baggage each character carries, not just Emelia's name legacy The depth of friendships are tested - and survive.Without exception the cast is first rate - Ormond and Koch are already established stars and Jessica Brown Findlay and Felicity Jones prove they are on their way to become very important actresses. This is a beautiful little film to watch and to think about. It is a first class little Indie. Grady Harp