Fresh and Exciting

Bad Acting and worse Bad Screenplay

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Subtle and understated,an excellent film. Sometimes about the missed opportunities in life,those right in front of us that we have no idea of their significance. Sometimes about fame and celebrity,and the distance between the illusion and reality.And about just being human,about "Life",such a witty title with double meaning...This film will not beat you over the head,but if you pay attention,it is beautiful in it's message.

A photographer for Life Magazine is assigned to shoot pictures of James Dean. Life is probably one of the few good movies that are based upon the life of James Dean and honestly i think Pattinson did a pretty good job in this film as this photographer that has issues with his life since he doesn't see his son that much and he is trying to help James Dean threw many occasions he is basically the guy who is trying to make him famous and Dane DeHaan does look like Dean a bit like that scene when he is walking down the street and Dennis takes pictures of him but like i said it's a pretty good movie it's not perfect for sure cause some characters get thrown on the big screen played by great actors and then disappear and maybe the pacing is a little off for some but still a pretty good movie.

Life Magazine photographer Dennis Stock forms an attachment and gets to spend time and photograph a young James Dean in the early stages of his tragically short career. Set around the time of the announcement of the engagement of Pier Angeli to Vic Damone, the news sent Dean spiralling into depression, Dean having dated Angeli previously. Dennis recognises that 'Jimmy' is part of a change in society, and aims to be there throughout.James Dean is a truly iconic figure, to this day his tragic loss is felt, who knows how good an actor he would have become. It's a very sensitive film, everything is subtle and softly done somehow, I include the two leading performances in that summary also, I thought Dane DeHaan was an excellent piece of casting as James Dean, I bought into him. As for R Patz I quite like him as an actor, I question some of the roles he takes, I thought he was very good in this. The gravitas came from Ben Kingsley, who unfortunately didn't get a great amount of screen time.I find the start a little slow, but after the first thirty or forty minutes it really opens up. Rather good, underrated movie, 7/10

Greetings again from the darkness. The film's title has multiple meanings: "Life" Magazine as the source for the famous photographs we have seen so many times; the crossroads in "Life" of both rising star James Dean and photographer Dennis Stock; and a philosophical look at "Life" - how quickly things can change, and how we should appreciate the moments.Director Anton Corbijn (A Most Wanted Man, The American) and screenwriter Luke Davies offer up a snapshot of 1955 as the not-quite-yet-famous James Dean (Dane DeHaan) traveled cross-country with photographer Dennis Stock (Robert Pattinson) from Los Angeles to New York to Indiana. Each man was searching for their true self as Stock's professional ambition and personal stress are palpable, while 24 year old Dean's ambivalence about his pending superstardom borders on self-destructive.DeHaan and Pattinson both underplay their roles, and it's certainly more than a little confusing to see Pattinson in a movie about James Dean where he is not the actor playing the icon. DeHaan captures the low key, soft-spoken side of Dean but only teases at the "rebel" studio head Jack Warner (Sir Ben Kingsley) wanted so badly to control. We get a feel for Dean's vision of challenging roles in quality productions … a commitment to the art of acting he no doubt sharpened in his time with acting guru Lee Strasberg. The story leans more heavily to the tale of photographer Stock, which is unfortunate, because he is significantly more awkward than interesting. Pattinson plays him as a social misfit who broods nearly as much as the "moody" young actor he is stalking through the streets.The period look is well appointed, and we are privy to some of the moments of Dean's life just prior to the release of East of Eden and his being cast in Rebel Without a Cause. His relationship with Pier Angelli (Alessandra Mastronardi), friendship with Eartha Kitt (Kelly McCreary), and his bond to the family and farm of his childhood in Indiana are all captured. In fact, it's the clumsy relationship with Stock that comes across as the least realistic portion … though it may very well have happened this way. Even the manner in which the famous photographs were taken is underplayed … although it makes for a terrific tie-in with the closing credits where the real Stock/Life Magazine photographs are displayed.It's now been 60 years that James Dean has exemplified Hollywood "cool", a label that can never be removed due to his tragic death in 1955 after making only three films. Capturing the essence of what made Dean cool is unnecessary because it's present in every scene of those three films, as well as the photographs taken by Dennis Stock. That's all the legacy either man needs.