April and the Extraordinary World

March. 25,2016      
Rating:
7.2
Trailer Synopsis Cast

France asleep in the nineteenth century, governed by steam and Napoleon VI, where scientists vanish mysteriously, a girl, Avril, goes in search of her missing scientist parents.

Marion Cotillard as  Avril (voice)
Philippe Katerine as  Darwin (voice)
Jean Rochefort as  Pops (voice)
Olivier Gourmet as  Paul (voice)
Marc-André Grondin as  Julius (voice)
Bouli Lanners as  Pizoni (voice)
Anne Coesens as  Chimène (voice)
Macha Grenon as  Annette (voice)
Benoît Brière as  Rodrigue (voice)
Gérard Dessalles as  (voice)

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Reviews

SunnyHello
2016/03/25

Nice effects though.

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SnoReptilePlenty
2016/03/26

Memorable, crazy movie

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Platicsco
2016/03/27

Good story, Not enough for a whole film

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Claysaba
2016/03/28

Excellent, Without a doubt!!

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Fujiko-san
2016/03/29

This quite fantastic film had so much that reminded me of old Miyazaki pictures!I was fascinated from beginning to end. It's amazingly creative and fun and the action is pretty non-stop.I just read a review that said children would not be into it because it was too static and "arty". Frankly that's a load of BS. My two kids found it fantastic. They loved the whole thing and talked about it for hours afterwards. A fully original and intelligent movie with a developed story and fantastic characters. More than worth your time!

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Radu_A
2016/03/30

There is much to love, but also a bit to dislike about "April and the extraordinary world" (the correct and more interesting title is "April and the twisted world"). Its story explodes with creativity, especially compared to US animation (which tends to severely underestimate the intelligence of children). Its "ligne claire" - animation style is both a break from US-animated CGI, which hasn't been successfully adapted in Europe, and an homage to the patron saint of European comics Hergé (co-director Ekinci did, in fact, do the storyboards of the 1991-92 "Adventures of Tintin" TV series, which is often considered to be the best adaptation). Leaning on Jacques Tardi for the visuals is a reminder that BD (bandes dessinées) adaptations work best in the classic animated form. One cannot help but compare "April" to Luc Besson's real-action adaptation of "Adèle Blanc-Sec", Tardi's most famous work. That movie was a commercial success, but BD fans were disappointed with the humorization of a serious story-line and the cheap-looking effects.What's not so great about "April" is that it's so voluntarily old-fashioned that you may have a hard time convincing your kids to watch it. The character expressions and movements are very static, the heroine is not designed to express emotions through gestures. That is very Tardi, very Adèle Blanc-Sec (which translates as "dry white", after all). But what works fine in a BD doesn't necessarily work in a movie. It seems that French animators still cannot bring themselves to realize that the times they are a-changing, and that a l'art pour l'art approach cannot reinvigorate an expiring industry, apart from justifying a €9.2 million budget (against which it has earned 5%). Given the character's lack of expression, the film relies heavily on the dub, and I must say other actresses could have done more justice to the part of April than Marion Cotillard - Mélanie Laurent, for instance, or Chiara Mastroianni who voiced Marjane Satrapi in her BD autobiography "Persepolis". Cotillard is a fine actress but she has a tendency to exaggerate, which can be entertaining but also quite unnerving - just look up her death scene in "Dark Knight rises" on Youtube if you don't (painfully) remember. Jean Rochefort, on the other hand, is wonderful as "Pops", April's grandfather. He speaks his lines with great candor and veracity, as does Olivier Gourmet as the father.So what you get to watch here is a very creative, if old-fashioned animation, which could be of more merit to adults than kids, who may find it hard to follow and perhaps somewhat boring. This is not a perfect European animated film for the whole family - that would be last year's Irish "Song of the Sea". It's also not a fandom film for BD connoisseurs, as the dub and continuity jar a bit, and as there is no commitment to a mature audience, like in the works of Sylvain Chomet. But if you're starved for anything animated that is not Japanese or yet another US CGI-film about talking animals, this one is definitely for you.

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francisbcool
2016/03/31

Graphically I fell into surprisingly different worlds. As well realistic as imaginary it's one big adventure. Sometimes the lines between them are so thin that it makes you wander. What if? So it's definitely not a childish movie, more the contrary. However there's lots of messages in it for the youth as well grown ups. I was afraid before I watched it, it would be a Japanese cartoon with loud screaming boys and girls with wooden movements and for the western people non understandable humor but again: Bang! No way Jose!! It's a beautiful visionary as well the sounds and music, perfectly directed it's as I sad A must see, one big adventure!(btw it's a French/Belgium production I thought, I really don't understand I never had heard of it before... It signs again what's appreciated in this crazy world and what is not. Unbelievable! This movie is an very enjoyable piece of art packed in , drawn in three dimensions. Nine stars from me because it surprised me as well in the beginning and after that every minute again, on and on, again and again.. Amazing peeps! It was truly a pleasure and after three days I'm writing this cause I still can't forget it and never will. Have fun.

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Andy Lockett
2016/04/01

Authors of this once were famous comic makers.There is a term in french culture for the graphic novels. They call it "Bande dessinées" which means "strip stories". This one is not. Or, to be exact, it's more of a stripped one.It's a rip-off. Cultural and visual. I could name hundreds of popular videogames, books and graphic novels, ideas from which were stolen to be placed into this. It's a commercial being in its entirety and has no other meaning than to be and stand for something. This one stands for someone else's naiveté.I had great expectations, but this, not being independent, put too much pressure onto its own makers.

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