Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

January. 29,1964      PG
Rating:
8.4
Trailer Synopsis Cast

After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.

Peter Sellers as  Group Capt. Lionel Mandrake / President Merkin Muffley / Dr. Strangelove
George C. Scott as  General "Buck" Turgidson
Sterling Hayden as  Brigadier General Jack D. Ripper
Keenan Wynn as  Colonel Bat Guano
Slim Pickens as  Major "King" Kong
Peter Bull as  Botschafter De Sadesky
James Earl Jones as  Lt. Lothar Zogg
Tracy Reed as  Miss Scott
Jack Creley as  Mr. Staines
Robert O'Neil as  Adm. Randolph

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Reviews

Evengyny
1964/01/29

Thanks for the memories!

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Stoutor
1964/01/30

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

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Derrick Gibbons
1964/01/31

An old-fashioned movie made with new-fashioned finesse.

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Dana
1964/02/01

An old-fashioned movie made with new-fashioned finesse.

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Anssi Vartiainen
1964/02/02

Stanley Kubrick's pitch black satire about the nuclear threat and the ends of which mankind is capable of going to prove its superiority.The plot goes that a US general has gone rogue and ordered a nuclear attack against the Soviets. The radios have been disabled and there's no conceivable way to call off the attack. Men in the War Room argue back and forth, assigning blame, getting desperate, getting emotional. While on the skies the planes march towards Soviet airspace - undetectable, unstoppable.It's a beautiful scenario, made even more poignant by its sheer absurdity. It tells something about a movie when it opens with a message from US Air Force, stating that the thing showcased in the movie could never, ever, under no circumstance, no way, no how, happen. Now please crawl out from under your beds.And this could be an unbearably heavy movie. But Kubrick helms it as a satire. The characters are amazingly out there, as are the lines of dialogue, the sets, the music. But the subject matter is still so large, so huge, so scary, that horror lurks underneath all the comedy. It underlines every scene, every moment. Most of us now have grown up in a world where nuclear war has always been a possibility. And in this film that fact can never be forgotten.The acting is also superb with the MVP award easily going to George C. Scott, playing the role of one the president's military advisors.Fantastic scenario, fantastic film making, fantastic actors. You'll laugh, while also feeling the cold sweat dripping down your spine.

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adrian-43767
1964/02/03

Director Stanley Kubrick made three films of absolute genius: PATHS OF GLORY (1957), DR STRANGELOVE (1963) and 2001: A SPACE ODYSSEY (1968). The first two were on the subjects of war and treason, but while the former was extremely serious, DR STRANGELOVE is a dark comedy which tells many truths about the delicate balance of the nuclear bomb and peace, in contrast with FAILSAFE, a film which came out on the same year but which approached the subject of nuclear conflict from a much more factual and formal angle.I can safely say that DR STRANGELOVE made me far more aware of the world's perilous balance, because my guffaws at some of the film's funny lines caused my mind to imagine the real consequences much more realistically than the serious-minded FAILSAFE ever could. To that end. the acting was first class: Peter Sellers is very good as a feeble US president, a powerless British commander, and the mentally disturbed Dr Strangelove, who reminds me of Werner von Braun, with his SS past and trip to the Moon future. Sadly, Sellers gives Dr Strangelove a distracting Indian accent, otherwise he is a joy to watch. George C. Scott is marvelous as the US Armed Forces commander with side interests and an eye always firmly tracked on the military solution, conveying suspicions about the Ruskies and sending shivers down your spine with his mad eyes and his confidence in US military capacity; Keenan Wynn does well with a tiny part and his quip about Coca Cola Company's power is so outlandish that it is frightening; Peter Bull is superb as the Russian ambassador called to the War Room, who uses the opportunity to take spy shots; Slim Pickens, as commander of the aircraft which delivers the bomb, is memorable in his desire to serve his beloved country, to the extent of going down with the bomb; and Sterling Hayden is also at the top of his form as the base commander who loses his marbles and orders the air attack on Russia, and then takes the coward's way out.Great photography, special effects, fitting soundtrack, and fantastic dialogue, full of sharp one-liners, always pursuing the absurd and darkly comic angle, complete the bouquet. Masterpiece! PS: And so I learned not to worry... if not quite to love the bomb!

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Osmosis Iron
1964/02/04

Now this is some seriously funny stuff gentlemen! You gotta see it yourself, it's(probably) the end of the world as we know it, and we feel more than fine! We take it with a happy dose of sarcasm and black humor! :) I absolutely love it!

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Tweetienator
1964/02/05

Stanley Kubrick really got some of my favorite movies done: Shining, Clockwork Orange, and yes, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. (Of course, I also like and recommend Paths of Glory, Spartacus, and Full Metal Jacket).George C. Scott as the mad and paranoid Gen.'Buck' Turgidson, and Peter Sellers in his roles (Group Capt. Lionel Mandrake, President Merkin Muffley and Dr. Strangelove) on the road of destroying the planet (and first of all the Sowjetunion!) in a nuclear holocaust.Fine and lots of humor and a satirical sharp view on a world on the verge of madness and destruction - in its finest moments the movie reminds me of the notorious The Life of Brian.That the scientist Dr. Stranglove, who is an adviser to the US President and the generals and maybe the last hope for mankind to stop the ultimate war is obviously an ex-scientist of the Nazi 3rd Reich, is just one of those fine jabs into societies smugness that make this movie grand.

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