Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Laugh a lot, see very happy.
I like Paul Rudd and was hoping this would be as funny as 'The Guardians of the Galaxy' but it wasn't. It looked good and the direction was solid but I think it suffered from the constant screenplay rewrites that the film underwent by changing the screenwriters (Edgar Wright and Joe Cornish).I also felt it was a bit too long-winded and it was unbalanced. However, the main good feature in this film was the special effects.★★★
> Size doesn't matter if he's a superhero who committed to save the world.My confession is I never read 'Ant-man' comics and I never knew such kind of superhero even exist in Marvel till this movie was announced. (But I know Danish film 'Antboy'.) So I'm glad they brought cinematic version of 'Ant-man' and I'm sure he'll return to the next 'Avengers' as they promoted strongly in this film itself to know what would be the audience response. I don't know others, but I definitely welcome the idea.Another CGI magic, another Marvel's wonder. As long as they pick the right cast and crew with a good story, the sci-fi like this continues to rule the cinema world. It was a great team work, that must be appreciated. As usual the top notch visuals as well the performances, even the sidekicks. But I was surprised to see when Paul Rudd was attached to this project. I believed it would be a comedy sci-fi packed with full of action, and I was wrong. It was a simple tale, a heist theme and of course it was fun to watch, but never was a comedy movie.A wonderful beginning, especially for the first film in the series. You know strong foundation is the key to raise a building above. I know the sequels would only get better by progressing and it should be. Because in all the Marvel's superhero flicks, this one was the most family and young kids friendly. That does not mean there were no violence, but from the title to the characters and presentation, all were so casual and can be understood by all.It was so great to see a legend like Michael Douglas to be a part in the modern movie. Now I am eager to see Evangeline Lily as Wasp-girl in the follow-up. It would be like Peter Pan and Tinker Bell, but in a sci-fi version. The extras were very interesting, I enjoyed them as well. If you're are yet to see the film, don't expect anything like Disney's 'Honey' trilogy, after all, if you enjoy the Marvel Cinematic Universe (MCU) then you would do same for it which is the twelfth to follow.7.5/10
The Pocket Rocket.Given the production problems and its long gestation period, Ant-Man is arguably far better than it had right to be. Unsurprisingly with a Marvel Super Hero film, the critical reactions have been mixed, but given it's not as gargantuan as most Marvel pics it proves to have a big entertaining heart. A pic cunningly viewing the Marvel Universe from a different angle, whilst also not over egging the pudding.The effects work is impressive, the origin story narrative engrossing and with it carrying a lightness of touch, and there's a very enjoyable cast enthusiastically buying into the comic book frivolity. Sure, some of it's just plain daft, our hero's powers are hardly blunderbuss stuff, while the family melodramas bubbling away feel tired, but come the glorious finale, pandering to the child in us all, it's another Marvel winner readying itself for further adventures of Ant-Man. 7.5/10
When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive genre: eye-popping special effects, outlandish and grand-standing villains, world domination escapades, complex yet flashy super-heroes that seem unreal and unapologetic and a big scale of unbelievable escapism that is tellingly becoming of a comic book epic on the big screen for the hungry eyes of the giddy moviegoer. Remember, all these described elements are not a bad thing when it comes to larger than life comic book/superhero fantasies. In fact, we almost insist that our volt-minded vehicles have some kinetic kick to its pulsating, pithy adventures. After all, there is certainly nothing wrong with that approach to the cinematic sensationalism of summertime popcorn pleasers and the costumed heroes that take us on that daring, rollicking ride of magical mayhem.However, director Peyton Reed’s ‘Ant-Man’ symbolizes a different texture and tone to the familiar action-packed world of Marvel Comics’ outrageous universe both on the printed pages and in the dark movie theaters. It does not necessarily use the overwrought or ultra-stimulating tactics to sell its percolating product as a super-charged heroic fable of mighty manipulators out to save the planet in the tradition of frantic favorites such as ‘The Avengers’ film franchise for instance. Instead, ‘Ant-Man’ relies on its small and intimate take of quirkiness, introspection, a gentle doomsday message of despair and a measurement of an awkward man that wears his bugged-out wardrobe with a sense of curiosity and conviction. In essence, ‘Ant-Man’ is a costumed caper that is high-spirited in its low-key excitement…something quite refreshing and revered in the wild and wacky world of Marvel Comics’ representation of the super-studs and sasses that invade our cinematic sensibilities in the hazy days of summer.‘Ant-Man’ lead Paul Rudd, an affable actor that has shown various levels of competence in both comedies and dramas over the years, is the unlikely source to don an ant-oriented attire and let his charm and cheekiness take over as the tiny bugged-eyed avenger of right and might. Rudd plays Scott Lang, a former troubled lawbreaker and gifted engineer whose demons come back to haunt him when he gets involved in the burglary shenanigans with his bad news buddies (T.I. and Michael Pena). The reason for Lang’s lure back to crime: a cockeyed but convenient way to win over the affections of his estranged young daughter.Interestingly, another great analytical mind of mechanics and science in stand-offish Hank Pym (Oscar-winner Michael Douglas) is spotlighted as he too struggles to relate to his daughter as well in the pretty Hope Van Dyne (Evangeline Lilly). Anyhow, Pym has a colorful backstory as it is revealed that he used to save the world from harm as the underrated crime-fighter Ant-Man. There was no glory or special recognition for Pym’s heroics as the buggy super-hero but his devotion to his crime-stopping craft was realized nevertheless.As ANT-MAN Paul Rudd's Scott Lang has plans to stop the criminnal foolishness besides raiding a giant-sized picnic basket in Peyton Reed's modest costume caper.As ANT-MAN Paul Rudd’s Scott Lang has plans to stop the criminal foolishness besides raiding a giant-sized picnic basket in Peyton Reed’s modest costume caper.The conflicted father-daughter tandem of Pym and Hope eventually recruit the beleaguered Lang to climb into the exo-skeletal red-and-black suit and become the current Ant-Man to continue the mission of promoting goodness over evil. In this specific case, Lang’s Ant-Man is asked to foil the nefarious agenda of Pym’s former protege and associate Darren Cross (Corey Stoll) who threatens to expose the revolutionary shrinking technology to anyone sinister that offers him an insane and immediate price for such secretive scientific information that could jeopardize mankind in the long run. Of course, it goes without saying, that Cross has an ominous alter-ego in the vile Yellowjacket whose back-and-forth clashing with Lang’s Ant-Man leads to the calculating and corrosive chess game of one skillful insidious insect trying to outwit and outmaneuver a conscientious one.Some may dismiss ‘Ant-Man’ as being too low-grade, cheesy and incidental in its confrontational canvas of saints versus sinners. Still, Reed’s handling of his Marvel-inspired ‘battle of the bugs’ is a winning formula in simplicity because it does not have to be rooted in a spectacular and showy landscape as the other successful bombastic blockbusters that come out of the frivolous factory of Hollywood. Essentially, ‘Ant-Man’ demonstrates the right kind of personality and prestige for its presentation as a scaled-down comic book actioner steeped in the personalized disillusionment of the characterizations and their assorted psyches. Sure, ‘Ant-Man’ will not let anyone forget its popular competitor in the much glorified and iconic standing of another insect-fighting Marvel mastermind in ‘Spider-Ma’n anytime soon. Yet Scott Lang’s Ant-Man is just as angst-ridden, impish, awkward and devoted as Peter Parker’s resilient web-headed wonder Spidey. The drama unfolds so convincingly in ‘Ant-Man’ not so much because of the dire dilemma of comicbook goodness and badness but because of the examination of deteriorating relations between broken men and their families or more specifically between fathers and daughters. Both Rudd and Douglas are committed to their roles as the Ant-Men that saved the world with ease past and present but could not say the same thing about rescuing the domestic responsibilities that eluded them under their own roofs. As Lang tries to find an opening for forgiveness toward his little girl and remarried ex-wife (Judy Greer), his current adviser Pym struggles to put the pieces together with a disgruntled Hope that blames her father for the neglect of her well-being as well as the death of her beloved late mother known as the Wasp, a super-heroine that shined in her own shadow of accomplishment.‘Ant-Man’ is a soulfully weird, witty sliced-down spectacle of a comicbook film that is rare in its skin to deliver the message of a connection not just to stamping out the cartoonish crime and chaos that is routinely found in the playful playground of Marvel’s movie machine of high-powered personalities armed with skillful brute and brilliance. It also has something called heart and hope as it tackles the alienation and isolation of fathers and their vulnerable daughters. It will take more than a gigantic can of Raid to destroy the indomitable presence of ‘Ant-Man’ and what his hedonistic heroics, both physical and psychological, bring to the prized picnic table.Ant-Man (2015)Walt Disney Studios1 hr. 57 mins.Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Crey Stall, Michael Pena, Tip “T.I.” Harris, Judy Greer, Bobby Cannavale, Wood Harris and Abby Ryder FortsonDirected by: Peyton ReedMPAA Rating: PG-13Genre: Comic Book Fantasy, Super-heroes, Action and AdventureCritic’s Rating: *** stars (out of 4 stars)
I loved it it was so much fun and very funny, another marvel masterpiece
Paul Rudd saves otherwise perfectly average B-movie---I'll grant it from the start that Ant-Man is not my first choice for a superhero movie. Apart from Aquaman and The Wall, it was the stupidest thing one could think for a superhero. As it stands, I watched the movie mostly because my wife is a fan of Paul. So far every other movie he has starred in has been my cup of tea. Unfortunately this one is not. I'll give the movie a few credits. It had some humor effects that caused my to actually laugh out loud (instead of merely stating lol aloud) and some of the special effects used in the movie were decent enough. It also gave tidbits of information about ants. Unfortunately the storyline was awkward. Granted, the original concept wasn't much better either so I'd guess the screenwriters had to do with the concept of ... sigh ... Ant-Man to begin with. The shrinking / growing up suit mumbo-jumbo is ridiculous from the start, but I expected it and was able to get past that.It was just that the plot had enough holes in it that were fit for a truck to drive through. I actually laughed most when the sidekick character was worried about the well-being of a security guard he had knocked out earlier and dragged him off the building before it explodes, but paid no attention to the two guys he just knocked out. Of course, a few days is always enough time to teach a man to fight martial arts well enough to beat dozens of people. I attended Karate for two years and probably could not hurt a fly with my moves. The villain was a stereotypical bad guy with less depth than the world's shortest book (Swedish military victories since 18th century). Much like any of the bad guys in the very bad Steven Seagal / Chuck Norris / Van Damme movies I've watched in my youth (forgive me, I did not know better). In addition, in this movie he is stupid enough to aim for the super suit that will change everything when he already has a gun that can instantly remove any person from the face of the earth, leaving hardly any evidence of his/her existence behind. No, none of the powers in the world would pay any money for such weapon. Sigh. Supersuit has to have lasers that copy the sound world of imperial troopers.The idea of shrinking has been dealt in movies such as Innerspace or Honey, I Shrunk the Kids back in the 80s and truth be told, while the effects are slightly better these days, the story of a good movie requires more than a guy who can instantly change his size and use his fists to beat people up. Truth be told, superhero movies follow the same pattern. It would be more interesting to watch a movie about guys who have to clean up after the superheroes and villains have fought. They have to pick up the pieces, clean the neighborhood and rebuild everything. Only to start from scratch the next time the good/bad guys decide to have a go at each other.That said. Paul Rudd plays his character decent enough where Michael Douglas and the rest of the cast show up just to collect their paychecks and fail to deliver anything resembling any sort of realistic emotion or character behavior. If you like the guy, you might check this movie out. If not, there's better things to do for the next 2 hours of your life.
Deserves to be crushed under a shoe---Okay, enough already! Another formulaic load of old tripe featuring boring, cocksure, dumb and supposedly somehow charming hero blessed with super powers he doesn't deserve and boring us all to death through two turgid hours of special effects and a plot you could write on the back of a postage stamp. (Iron Man, Green Lantern, et al. anybody?) This one thinks it's a bit of a comedy...except the lame jokes are sign posted about a mile away and deserve to be punctuated with a ba-dumb-tish on the snare drum.Ant Man. A lousy idea and a lousy film. 2 hours of my life I will never get back. And the threat at the end?: "Ant Man will return!" Don't bother!!
The Point At Which I Stop Watching This Infantile Product---I think all the people who've written a negative review of this movie because of its apparent "scientific contradictions" are missing the point.How can people who accept a man turning into a green monster or holes opening in the sky and spitting out an army of hover bike-riding space aliens criticise the science in this film? That's probably the worse case of deluded double standards I've ever witnessed.No, the REAL problem with this movie is just like any other MCU film. The thunderingly dull expository dialogue, the pantomime characters, the cheap cinematography, the flat and stilted performances, the dramatically compromised script and the infantile tone. And the most insulting aspect is that every single one of these cinematic atrocities spends vast amounts of its running time promising us even more of this trash is still to come.The problem with Disney and Marvel and the relentless machine they've created is that so much money has been made from this dross that actually MAKING A GOOD MOVIE now seems to be nowhere near the top of their agenda. Another $175m gets spent, it opens, pimply faced kids vomit out their cash for a couple of weeks, then it goes to China, makes more, numbers are counted, accountants smile, Disney smiles, rinse and repeat.But nobody's making a good movie. And guess what? The studio doesn't care. THEY DON'T NEED TO ANYMORE.It's time to boycott this insanity. Life's too short and there are so many good films out there that won't make you feel like you've been brain-raped and just lost two perfectly good hours of your life.Disney be warned. Your days of guaranteed return on these turds is imminent.