Slow pace in the most part of the movie.

Good concept, poorly executed.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

It's one of those films that portray an emotion or situation you have to be familiar with in order to truly appreciate it's beauty.The cinematic portrayal of depression at it's finest. The feeling of entrapment in a life that feels like there isn't an escape, the feeling of despair, the fear of pursuing your personal happiness at the cost of another persons happiness. These were artistically portrayed very intimately, and I really appreciated that. It was well executed.Great performance by Gemma Arterton, there were some scenes in the beginning that gave me shivers.A lot mixed reviews for this title, and I understand why. People who have experienced a similar situation would resonate with this film very much. One of the reviewers called her motives unrealistic and selfish, that 'every mum' goes through this. That's untrue, every person is different. Every situation is different. Some people love their roles of being mothers, and go through their life without a care of other possibilities. Some people enter motherhood ambitious, not realizing the sacrifice. The sacrifice of personal accomplishment and meaning. And I feel like this is what the film was trying to portray. A film not for everyone, but for those who do resonate with it will appreciate it.

Is awful... can't act. Give it a rest please. The whole thing is slow, stupid and awful.

Granted the first 20 minutes is overly long explaining Tara's life and state of mind. The scene in the car park of the multiple mum's, with toddlers and shopping trollies was enough to do this! I also found some of the editing and photograpy a bit irksome e.g. some point of view shots. In the end though, I could relate to both characters and this is why I enjoyed it.Gemma Arterton who plays Tara was great. Stripped of make-up, she was stark but utterly graceful. As W.B. Yeats would say "A terrible beauty is born."For the record, this is my first review and I am not involved in the film in anyway!

I suppose the title is a spoiler in itself... but I really did like the film a lot until the ending which I felt was a copout. The film was well acted; I felt the pain of the character played by Arterton throughout. It's the housewife/mother's dilemma we feminists identified decades ago: many or even most women won't be satisifed "just" keeping house, raising their children and keeping their man happy. No, a woman needs meaningful activity in her life in which her thoughts and creativity can be used. This is what Arterton's character was missing and seeking. It was interesting if not obvious the way the older French woman who "rescues" her at the end tells her to "try to make your life work with your husband and if that doesn't work, make it work without him." Well, yes, and early on in the film the husband does give the wife this opportunity. When she was just discovering how sad and unfulfilled she was, he, apparently sincerely, tells her, "Just tell me what you want. I'll do anything for you." If only she knew enough at that point she could have said, well here's a list of what I want and need." But as in real life, things aren't usually that tidy or easy. So she had to go through running away and meeting a cad of a man in order to realize that she already had enough good in her life to work with. I would have loved the movie even more if the ending had been more definitive. Instead, it does a kind of "We've come full circle" thing in which we're left to surmise what the main character does next.