The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Mostly, the movie is committed to the value of a good time.

The film is apt to be somewhat fun to watch for anyone familiar with Troy, Rensselaer County, New York, though likely far slower and artier than the average viewer is apt to enjoy. There are lots of local businesses that appear, and roads that are recognizable like Hoosick Road, Oakwood Avenue and probably Farrell Road. The geography is a little confusing when it comes to the Lake George references. Lake George is more than a little than "just outside of Troy" as it's described - it's about an hour's drive north and two counties away.The Helen statue's head that's seen floating along - that's not in Lake George as some viewers interpret it, but in the Hudson River that runs along the west side of the City of Troy.The story? You're best off turning to interviews of the directors online. Childhood readings of Greek mythology, not revisited, contributed as well as some real-life things abut which they'd read, further influenced by the eventual choice of Troy as the primary shooting location.

I felt as though I was tricked into watching this mess of a "movie" with the 6.1 rating here. It never went anywhere. What's with the nutty ladies and the dolls?. The floating head? That silly horse creature. I could go on and on but I wasted enough of my time on this disaster of a show already. It works better than Ambien.

I agree with the three (to date) other COMMENTERs that "H." was intriguing and suspenseful. Indeed, the foreboding score, pacing, direction and script captivate. Further the acting was top notch, particularly Robin Bartlett. But ..........The Greek mythology references sink in in timely fashion; i.e., "Helen(s)" of Troy, a horse, an intrusion, a bust/statue, etc. But though liberal arts degreed with knowledge of Western Civilization I'm unable to make a connection of classical Helen or the Trojan Horse with the people or events in this film. There's also the "baby" parallel of "H."'s two Helens, though again I'm clueless how such may be related. Also, how am I to interpret the several descriptions of how the comet event and hysteria manifests itself; e.g., wall-staring, black-outs, uniform fetal and cloud patterns?Still, "H." is quirky and creepy enough to surpass the usual fodder passing for sci-fi and fantasy today. My disappointments may be hypocritical as I've championed the use of vagueness and ambiguity in science fiction and the supernatural. Indeed there is wisdom in avoiding the clumsy, heavy- handed task of trying to explain, convince, etc., a viewer of what is otherwise inexplainable, nonsensical, etc. . Watch; e.g., UNDER THE SKIN, THE WAIT, I AM THE PRETTY THING THAT LIVES IN THE HOUSE, good films that apply sid wisdom. But "H." ranks just below these examples as it makers just take the viewer way out on a limb and leaves he/she at the tip looking out. In the end, however, I'd watch something else by Rania Attieh, if only for her sheer chutzpah.

There is nothing better than when a movie frightens you, or disturbs you without having to throw special effects at you from around a dark corner. I almost didn't watch this. I am glad I did. This is not a horror film. But it has that perfect blend of an off putting mood, and an unsettling atmosphere. If you like scary movies because of the vibe of the movie and not the special effects, this is a diamond in the ruff. These kind of movies are so rare, unfortunately. It is an apocalyptic movie, without the actual apocalypse. At times you feel like there are religious under tones. They leave a lot of the elements of the what feels to be inevitable unfolding of the end of world to your imagination, but give you enough to know that something unearthly is happening.