I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This movie feels like it was made purely to piss off people who want good shows

By the time the dramatic fireworks start popping off, each one feels earned.

Films, so the screen writing gurus tell us, are written from the ending. Writers are on a journey; they know where they are going and then plan how to get there. The destination in this film is two ex-mates turning up coincidentally in a bank at the same time, one with a bunch of flowers, the other with a gun. Each equally implausible, given that they share the same purpose - to win a woman's affection. If you think I am wrong, ask your female friends how much they like it when their ex turns up in the middle of their shift in front of their workmates to try and get back together.I assume this is the ending the writers set out with, and it bodes ill for the British film industry that no one shouted 'contrived!' at any stage. If this was not the ending they started out with, how did the collaboration process end up at this farcical destination??

I saw this film while in Europe, and was extremely unimpressed. The characters are wooden, the acting painfully amateur, and the story uninteresting. The plot involves a group of spoiled, aimless British twenty-somethings that do nothing but hang out and play in a 'garage band' thanks to the wealth of an orphaned megalomaniac friend. We soon find the lack of a father figure drives the ambition of this wealthy peer to ruin all of his friend's lives in an attempt to make them a marketable musical enterprise. He drives one friend to become an improbable drug dealer/addict, and emotionally torments several girlfriends. Dominated by this troubled youth, the other friends flail and fret their way through to success or failure. The sappy, stupid soap-opera script is not saved by the actors, who give performances better suited to television dramas like Eastenders. It is rare you run across a film where you could care less what happens to the characters or what will happen next on screen. Best save you time for other pursuits than watching GMT.

If you think this film is going to be another good modern British film to entertain you like Trainspotting, Twin Town and Lock, Stock & 2 Smoking Barrels...then prepare yourself for disappointment!The film has a very weak storyline, so much goes on that it is confusing at times and you never know exactly what period in time it is supposed to be...one minute they are sitting there chatting...next scene is 9 months later etc, very confusing at times! The film is much like watching MTV's "Real World" series and only seeing one in every three episodes so you never quite get a feel for what is happening. Overall the film feels like its trying to fill to much in, there are so many sub plots that you never really feel attached to any and some are just plain unbelievable. If the plot focused in on fewer characters then it could have been better.Some of the locations around London are well filmed but nothing really stood out. The soundtrack fits in with the atmosphere and theme of the film and is well done, although it wasn't "my cup of tea".The film it the biggest load of pretentious rubbish I have seen in years and it is not a film that I'd watch again. If recommending it to someone I'd tell them to wait until it was released on video rather than see it in the cinema. I should imagine the film will appeal to people in their late teens, any older then you may also be disappointed with the film.Greenwich Mean Time is certainly the worst film I have seen this year!

A must-see! An exciting and truly heart-felt story told with energy and a cracking soundtrack. Great acting from a young cast. Ben Waters is mesmerising. Loved it!