the audience applauded

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

Eighty-five years after it was made, The Iron Mask retains its luster, its magnetism, and it's delightful storytelling. Despite its veering from the plot of Dumas' great novel, The Iron Mask is a highly entertaining adventure in its own right. Of course, with Douglas Fairbanks as the D'Artagnan character, the film has an advantage right out of the gate. It has less over-the-top action than in earlier Fairbanks swashbucklers, and Fairbanks's acrobatics are more subdued than in his earlier actioners. But at age 46 he could still bound and leap and climb and buckle a swash better than the best men half his age, better, in fact, than almost any man of any age. And what an actor! Just his smile could make his audience joyful. His tenderness, his sincerity, and his depth were irresistible convincing, capturing every emotion he wished to convey. Although this was his last silent film, it contained a brief sound introduction to Part 1 and another to Part 2, both with shots of Fairbanks narrating in a stirring, proud voice. A few elements of the film are dated, most notably the shots of the evil royal twin, who emoted in the hammiest sense. Little items like that do not detract from the appeal of The Iron Mask. This was the first time I'd watched it. I will watch it again.

Let me begin by stating that I am reviewing the 1952 re-release version with Douglas Fairbanks, Jr's narration (written, I might add, by Richard Llewellyn of "How Green Was My Valley" fame). Fairbanks the younger's delivery of Llewellyn's words is shear poetry! I know this version has been cut and usually I prefer films as they were originally intended, but in this case I'll make an exception since DFJ's narration really makes the film for me. (Still, it would be nice to see how the original "talkie" bits sounded in the elder Fairbank's voice. I might have to catch the restored original too.) Aside from the joy of listening to DFJ's beautiful voice bring his father's work to life for me, I must say I really enjoyed the picture itself. I've seen both the 1939 version with Louis Hayward and the 1977 version with Richard Chamberlain, and while both of those are very good, this one might be the best of the three. Thanks to Fairbanks, Sr. of course it probably has the best action sequences, but the over all acting is also quite wonderful. I must say I was especially impressed with William Blakewell in the duel role of the twins, Nigel De Brulier as Richelieu, and Ullrich Haupt as the villain De Rochefort. This was Fairbanks' final silent film, and his acting here is at its best. He makes a perfect D'Artagnan! The sets and costumes are also magnificent here! Fairbanks pretty much wrote the script too--even though he disguised that fact somewhat by using his middle names in the credits. The credits read story by Elton Thomas; Fairbanks' full birth name was Douglas Elton Thomas Ullman. Maybe he figured that having his name in the credits as both star and producer was enough. And although the storyline varies in many important ways in the Haywood version 10 years later, in other ways it follows Fairbanks' ending quite closely. (It's been years since I saw the 1977 version, but I think its plot is not as close. I do remember it had some marvelous acting in it, but considering it starred Richard Chamberlain, Sir Ralph Richardson, Louis Jourdan, and Patrick McGoohan, how could it not?) Anyway back to the 1929 version--I've seen more than my share of Three Musketeers films and this is one of the best!

This was a silent film. However, a running narration was added. Douglas Fairbanks Jr. did the voice-over. His father played D'Artagnan in the film. According to 'Movie and Video Guide 1994' by Leonard Maltin, the version with the narration was a 1940 reissue. Maltin also says that the film had some talkie sequences. So far only the opening scene had actors speaking on camera.I am currently watching it (17 June 2012) on Rock Valley College's public access channel. I have seen three different versions of this story. Each has its own variations of the storyline. I like this one, maybe because I am partial to silent films. The story depends on action more than inane chatter.

THE IRON MASK (United Artists, 1929), directed by Allan Dwan, based on "The Man in the Iron Mask" by Alexander Dumas, a sequel to Dumas's THE THREE MUSKETEERS (United Artists, 1921), both starring Douglas Fairbanks as D'Artagnan and Marguerite De La Motte as Constance, is a worthy farewell to Fairbanks making his final silent screen adventure.Those familiar with the plot, which was remade several times on screen and television, including THE MAN IN THE IRON MASK (United Artists, 1939) with Louis Hayward, and/ or the most recent and satisfactory 1998 featuring Leonardo DiCaprio and Jeremy Irons, will find the story here not much different, but only shorter in its basic format, as is with its title. The story begins with King Louis XIII of France (Rolfe Sedan) receiving the news of the birth of his son, the future heir to the throne. The only problem is that the heir also has a twin. Since there cannot be two heirs, this news must be kept in utmost secrecy and anyone involved must be put away forever. Constance Beaucieux (Marguerite De La Motte), D'Artagnan's (Douglas Fairbanks), beloved, who was the midwife during the birth, is immediately put away in the Convent of Martes by orders of Count De Rochefort (Ullrich Haupt). Unaware of the secret, D'Artagnan tries to rescue Constance from being held prisoner against her will, but arrives too late. She has been stabbed by Milady De Winter (Dorothy Revier) after discovering the secret mark on her shoulder, the brand of a common criminal. Before Constance dies in D'Artagnan's arms, she utters her final words to him, "the other one ..." The death of Constance leaves D'Artagnan feeling empty and bitter. D'Artagnan, who has been reunited with his colleagues, The Three Musketeers, later saves them from being executed by orders of the Cardinal Richelieu (Nigel De Brulier). After D'Artagnan rescues Richelieu from De Rochefort's men, the Musketeers are pardoned, but find they must part company once more when D'Artagnan is appointed as guardian to the newborn infant and sent to Spain while the actual heir to the throne remains in France. Some twenty years later, the evil twin brother (William Bakewell), a spoiled young man, eventually learns his true identity and of his twin brother holding the throne in France from the villainous De Rochefort. The evil twin plots to take over the throne by having his brother abducted, and banishing him by having him locked in a dungeon with his face sealed in an iron mask for all eternity, and being given food from the guards from under the door, and with strict orders for him not to ever have any visitors. While taking control of the throne, the evil twin meets with his mother, Queen Anne (Belle Bennett), who immediately realizes what's happening. It is then up to the D'Artagnan and his musketeers, now older men, to reunite and save the day.Featured in the supporting cast are Stanley Sanford as Porthos; Leon Bary as Athos; Gino Corrado as Aramis; Vera Lewis as Madame Peronne and Gordon Thorpe playing the boy prince and his evil twin.A satisfactory version that becomes a bit slow going at times due to a couple of flashbacks, but then picks up speed again with a memorable swashbuckling conclusion. THE IRON MASK was first introduced as part of the 12-week series on public television's THE SILENT YEARS (1975), hosted by Lillian Gish. Because this was Fairbanks' final silent adventure, released the final year of the silent era (1929), THE IRON MASK became the film chosen as the closing chapter to this series. Accompanied with an original piano score by William J. Perry, from the Paul Killiam collection, and running at the length of about 87 minutes, THE IRON MASK also consisted of color tinted scenes. Reportedly distributed theatrically with talking sequences, sound effects and an original musical score (which may still exist today), THE IRON MASK was later reissued in 1952 through Odyssey Pictures, eliminating the original title cards, replaced with narration by Douglas Fairbanks Jr., and accompanied by a new orchestral score. Available with the excellent Perry piano score on video cassette through Blackhawk Films in the 1980s, current video copies distributed in the 1990s present THE IRON MASK with its 1952 72 minute reissue format, the version which formerly aired on American Movie Classics from 1997-1998. Although the difference being the length and clearer picture quality, with the narration giving a better outlook and understanding to the storyline, silent film buffs would prefer to see THE IRON MASK restored to its original silent format. Thanks to KINO video, it's own copy has been restored with sound prologue with Doug Fairbanks himself as well as an orchestral score by Carl Davis. HO-LA! (***)