After being buried in quicksand for the past 25 years, Kharis is set free to roam the rural bayous of Louisiana, as is the soul of his beloved Princess Ananka, still housed in the body of Amina Mansouri, who seeks help and protection at a swamp draining project.
Similar titles
You May Also Like
Reviews
Good story, Not enough for a whole film
Excellent, Without a doubt!!
A waste of 90 minutes of my life
There are better movies of two hours length. I loved the actress'performance.
This fourth and final movie in the original "The Mummy" franchise picks up from where the last one ended but despite being made the very same year has recast our leading lady which is a damn shame.It tells the story of our mummy once against being brought back to seek out his reincarnated lost love. This time however after the events of the last film she is suffering from amnesia and every one in her life is in terrible danger.Oddly the quality of this franchise in regards to cinematography has been inconsistent and this is one of the worst. Combine that with some hammy performances and yet again the movie cannot rise above being distinctly average stuff.Despite all this the entire franchise has had a certain charm, but I think 4 movies were sufficient especially considering how similiar they all are.A fitting finale.The Good:Carries on the story nicelyThe Bad:Timelines of the series make no senseCinematography has dippedRecastingMuch of the plot is confusingThings I Learnt From This Movie:Everyone who wears a Fez is evilAmnesiacs are a great source of free labourI can't take a character seriously if they're wearing a safari hat!
From 'The Mummy's Hand (1940) through 'The Mummy's Curse (1944)' some interesting things but none more bizarre than the fact Kharis and Ananka sank into the Massachusetts swamps in the 'The Mummy's Ghost (1944) but end up rising in the Louisiana swamps in 'The Mummy's Curse (1944)'.How did they end up in Louisiana? All we know is the townspeople and the sheriff's office (supposedly) chased Kharis and Ananka to Louisiana but the last film was set in Massachusetts... they chased them that far??? LOL The one major flaw with The Mummy's Curse but the film is fine otherwise.If can go with or overlook the strange explanation given and can get into the idea of The Mummy ending up in Louisiana then you will find the film is is really just about as good of a B-Film as rest of the films in this series. Kharis can finally rest in peace.7.5/10
1944's "The Mummy's Curse" was the fourth and last of the Kharis series, third to star Lon Chaney in the title role, and the only one not included in Universal's popular SHOCK! television package, having to wait for 1958's SON Of SHOCK, the same fate that befell beloved classics like "Bride of Frankenstein," "The Ghost of Frankenstein," and "House of Dracula." Going from a Massachusetts swamp to the Louisiana bayou is certainly a stretch, but not as much as setting the date an incredible 25 years later. The unexceptional Peter Coe ("House of Frankenstein") is this film's bland High Priest of Arkham, Ilzor Zandaab (his screen time quite limited), his recent disciple, the lascivious Ragheb (Martin Kosleck), providing all the knife wielding villainy to spice up the proceedings. An excavation of the swamp leaves one man dead, the knife still in his back, and a space just large enough for a mummy; shortly afterwards, another finds a hand emerging from its burial place, revealing the now revived Princess Ananka (Virginia Christine), who had gone down with Kharis at the conclusion of "The Mummy's Ghost." Making her way to a nearby lake, the Princess emerges perfectly coiffured (every hair in place!), if a bit wet and amnesiac, spelling death for all those who take her in. There are solid roles for veterans Addison Richards, Holmes Herbert, Kurt Katch, Charles Stevens, William Farnum, and Ann Codee, criminally unbilled as Tante Berthe. Popular years later playing Mrs. Olsen in the Folgers commercials, Virginia Christine scores impressively as Ananka (her natural blonde locks hidden under a jet black wig), light years better than the insipid Ramsay Ames in "The Mummy's Ghost" (her other Universal horror was the doomed prostitute who encounters Rondo Hatton's Creeper in 1946's "House of Horrors"). This marked the end of Kay Harding's brief stardom at Universal ("Weird Woman," "The Scarlet Claw"), while Martin Kosleck, previously seen in the still unissued "The Frozen Ghost," continued his scene stealing ways in "Pursuit to Algiers," "House of Horrors," and "She-Wolf of London." For a role he so fervently despised, Lon Chaney's Mummy again fares well, his frustration palpable, continuously (even comically) one step behind his beloved Princess (the climax finds them both headed permanently to Manhattan's Scripps Museum). This appears to have been the most popular of his three outings, reprising the role in 1959's Mexican "La Casa del Terror" and on television's ROUTE 66 (the 1962 Halloween broadcast "Lizard's Leg and Owlet's Wing," opposite Boris Karloff and Peter Lorre). "The Mummy's Curse" made a total of six appearances on Pittsburgh's Chiller Theater- Sept 25 1965 (following 1963's "Battle Beyond the Sun"), Feb 10 1968 (following 1933's "The Invisible Man"), Sept 30 1972 (following 1944's "House of Frankenstein"), Jan 25 1975 (following 1960's "The Lost World"), Sept 20 1975 (following 1969's "Godzilla's Revenge"), and Apr 23 1977 (following 1935's "Bride of Frankenstein").
***SPOILERS*** Long awaited squeal to the film "The Mummy's Ghost" that was released some six months later has the Mummy Prince Kharis, Lon Chaney Jr, back from the dead looking for his love the beautiful Princess Ananka, Virginia Christine, who he's been estranged from for some 3,000 years! Now with the help of modern Egyptian high priest, masquerading around town as an archaeologist, Dr. Llzor Zandaad, Peter Coe, and his loyal henchman Reheb, Martin Kosleck, Kharis is brought back to life with the fluid of the ancient Egyptian Tana Leaves so he can be reunited with Princess Ananka and finally become Mr & Mrs Mummy.It's been some 20 years since Kharis and the Princess were swallowed up by the Louisiana swamps as they were chased by any angry mob of local Cajuns who just had about enough of them and, on Kharis's part, their murderous antics. Now brought back to life Kharis is, with Dr. Llzor's help, more then ever determined to get his Princess back and together with her get on the first boat back to Cairo Egypt even if it kills him, and anyone who dares to stands in his way, to do it!Incredibly slow moving with his body bandaged up from head to toe it's amazing that Kharis could catch anyone in the movie even if they were just standing still! In fact Kharis' first victim Michael, William Farnm, the self-appointed caretaker of the monastery that Kharis, with the help of Dr. Llzor & Reheb, made his home just stood there with him not as much as moving a muscle until Kharis got his hands on him! As Kharis was soon to find out that as much as he wanted Princess Ananka she seemed totally uninterested in him. Having like Khris come back from the dead the Princess got the hang of modern living, with all its conveniences, and had no interest of going back to jolly old Egypt to spent the rest of eternity with Kharis sealed up in an air-tight ancient Egyptian burial chamber!***SPOILER*** It was the sneaky and sex crazed Reheb in him wanting to get it on with Dr. James Halsey's, Dennis Moore, pretty assistant Betty Walsh (Kay Harding), who both discovered the amnesic Princess Anana in the Louisiana swamps, that in the end spoiled everything! Not being able to control his overactive libido Reheb made a mess of everything in defiling, by his uncontrollable lust, the laws of Amon-Ra the ancient Egyptian God and was made to pay the consequences for doing that. But not until Reheb finished off his "Master" Dr. Llzor and destroyed the Tana Leaves that kept Khris alive. Mad as hell and not going to take it anymore in Rebeb making a monkey out of him Khrais went totally berserk not only doing Rebeb in but himself as well!P.S In the flashbacks in the movie Khris is played by the legendary Boris Karloff in clips from Karloff's original 1932 Mummy classic aptly titled "The Mummy".