An intelligent pulse of electricity moves from house to house, terrorizing occupants through their own appliances. Having already destroyed one household in a quiet neighborhood, the pulse finds itself in the home of a boy and his divorced father.
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Reviews
Simply A Masterpiece
I'll tell you why so serious
Don't listen to the negative reviews
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
One of the problems that cinema of the 1990s and 1980s is that filmmakers and audiences never really knew what they had on their hands. The Exorcist III by William Peter Blatty, for instance, was probably one of the greatest thrillers ever made and yet audiences and Hollywood executives at the time just didn't know what they had. Pulse is another example of a film that came just too early to be appreciated. It's a solid concept and a solid thriller that probably would be a bigger hit today than in the 1980s when there were no cell phones or computer controlled cars because the idea is so much scarier and more real these days. So on the one hand, Pulse suffers from being too early. But on the other hand, it's also not exactly good. When you talk about all the underrated horror gems of the 80s and 90s (Exorcist III, Pumpkinhead, In the Mouth of Madness, The Resurrected, Prince of Darkness, or Event Horizon) Pulse will never make that list because it's just too flawed. Pulse suffers from "Writer/Director disease", where there isn't enough eyes on a single scene or concept to really understand how it works. The idea of making the main character a little kid instead of the step mom (who steals the show) seems like something someone else should've mentioned during pre-production. Certain scenes feel out of place in the film and you can tell that a large part of the movie was left on the cutting room floor. I'm not saying the movie would do better with a longer running time, because in this case the film is tight enough to hang together, but a lot of ideas are picked up and dropped (voices in the wires, a tv set that seems to talk to you, other houses in the neighborhood being infected). All in all, Pulse suffers from being too early and not well defined enough from the rest of the 80s horror pack. It tries very hard to be Poltergeist but the flaws in the script and the direction just can't pull it off.
What appears as a fairly silly plot is executed well. A boy moves back in with his biological father and his step-mother. There is "malevolent electricity" that inhabits the house.The movie reminds me a lot of things like Poltergeist, or Amityville Horror. Part of the difficulty faced in making a premise as absurd as this is that the menacing objects are household electronics. It's hard to perceive a dehumidifier as being a threat. The movie does an embarrassingly good job with this. While I was laughing half the time at how ridiculous the whole scenario was, the other half of the time, the scares were pretty effective. This actually made me feel embarrassed that the movie could do this. The shower scene worked very well, and the sequence in the basement was also a highlight.If the idea of the movie sounds interesting, it's worth a rental. While you probably won't love it, at least you won't feel like it was insulting your intelligence. Another bonus to the movie - Robert Romanus appears as the TV repair guy. Hearing him talk brings me back to Fast Times at Ridgemont High. Worth watching for any fan of Damone.
The idea of a malevolent force living inside the local power lines (and thus, inside your home) is not a bad one. We can probably live with the plot, but what about the movie? The fact that we are treated to multiple shots of stuff like, oh I don't know, the thermostat (accompanied by tense music) to heighten our fear should give you the answer.Apparently an electrical storm causes something to happen at a substation. Exactly what happens we will never know, because we pretty much see the lightning strike, then spend some time watching different film angles of power lines and equipment overlaid with the opening credits. I think that the lightning strike created "The Pulse," allowing it to travel over the wires finding a safe place to kill people, but do not quote me on that.Enter Bill, Ellen, and David, the standard (fissionable) elements of a nuclear family. His dad's house might be in a well to do neighborhood, but Bill has installed all sorts of bars on the windows to prevent forced entry. Since the chances of a burglary in this film are probably nil, we can bet they will be unable to leave the cursed house at some point due to Bill's paranoid security measures.Demonic forces (even ones with polarity) love to torment young children and the little wuss makes a perfect target, so how does it screw with David? By cracking gas mains, making the television go freaky, and eventually turning the home into a flaming death trap. It is all very silly to me, including the grass dying around the house. The current usually stays inside the wires or various appliances, why would plant matter start dying? Guess it just seemed like a "horrific" thing to happen.If there was ever a movie the Amish would enjoy this is it ("See Jeremiah! Machines are the Devil's work! Now go outside and round up your six brothers for supper."), perhaps that was the audience targeted when it was produced? If so then someone in marketing got fired, probably beat up and then fired now that I think about it.
If this tag line seems familiar to you, it's because it is. It's the famous tag line for "The Amityville Horror". Not much happened in this movie, and yet it's considered a classic. We never, in the movie, understood the full source of evil from Stanley Kubrick's "The Shining", and yet it's one of the most horrifying films of the 20th century. Better leave things unexplained, and you'll have a great time. Do the same with "Pulse" and you'll enjoy it to the max. I sure did. I always liked how the movie never explained the source of the evil electricity. It makes things scarier. Once I'll find out, it's like spoiling a movie's ending. As the tag line for "Amityville", one is wondered why the occupants of the house do not leave yet. Well, the answer's simple, and Cliff DeYoung's character clearly showed it in the movie. It's because there's a rational explanation behind all of this. And the house is not entirely paid, they have to sleep there, eat there, and... just a place to sit down and relax. Because if they leave, they will look like crazy people. That's all the movie is about. What makes sense? What is best to do? I keep myself on the edge of my seat seeing for myself as what will be coming up next. "Pulse" is indeed an undiscovered gem. What a shame.