Deep Space
May. 01,1988Secretly engineered and blasted into space by government scientists, a vile monster crash-lands back on Earth and begins killing everyone it encounters. As the death toll rises, veteran cop McLemore bravely steps forward to crush the scary creature.
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I like the storyline of this show,it attract me so much
Strong and Moving!
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
The best films of this genre always show a path and provide a takeaway for being a better person.
I've never been a fan of Fred Olen Ray, but before he went completely bonkers and started to direct approximately six or seven useless dreck movies per year, he admittedly did make a few worthwhile B-flicks during the 80s. Of those, I firmly believe that "Deep Space" is the most enjoyable one, even though it's another umpteenth and 100% unoriginal imitation of the Ridley Scott classic "Alien". Passable as it may be, "Deep Space" at least guarantees fast-paced action sequences, gooey special effects, (unintentionally) hilarious dialogues and a rare lead performance by Charles Napier as the ultimately tough macho copper. "Deep Space" sees a top-secret space capsule, developed by military scientists and containing an alien monster, crash-landing in the outskirts of a big city. Nihilistic cop Ian Macklemore (Napier) and his partner Jerry are quickly taken off the case, but Macklemore nevertheless managed to steal two rocky cocoons from the crime scene. Pretty soon, he and his female officer date are chasing miniature alien monsters in their apartment, while there's also a mature and deadlier specimen terrorizing the streets. Olen Ray clearly didn't bother to make his monsters look much different than the original designs used in the aforementioned "Alien", except perhaps that the teeth are slightly bigger. I'm surprised this didn't lead to any lawsuits? Never mind the immense plot holes, like how exactly do you create an alien monster and what's the deal with the psychic lady, since Olen Ray compensates these with gory killings and cheesy dialogues (my favorite being: "Is this rock extraterrestrial? No man, it's from outer space!"). Charles Napier is so happy with his heroic role that he even agreed to dress up in a kilt and play a lousy tune on his bag pipes! There are several more familiar faces in "Deep Space", including An Turkel, Norman Burton and Julie Newmar. Bo Svenson also receives top billing, but his role is rather insignificant.
A prime example of Fred Olen Ray's no-budget output, this cheerful but tacky sci-fi romp happily rips off the film ALIENS so thoroughly that you'll be astonished nobody sued. DEEP SPACE is enjoyable enough to watch in a brainless way and is pretty entertaining for a "bad" movie, but serious film fans should look elsewhere for their entertainment as this movie is extremely constrained by the lack of budget. The dialogue has obviously been written in a hurry, with lots of silly jokes that fall flat whilst even the serious dialogue is fake-sounding. However, there's a lot of action which keeps the film moving at a fast pace, so much so that the lack of budget is readily disguised for a lot of the time.The film opens with a bad animation of "something" falling to earth and its here that the clichés begin. Everything is clichéd about this film, from the characters to their actions to the situation and the dialogue. You have the pair of lovestruck teenagers who inadvertently become the first victims, the old drunk hermit who nobody believes, and the two unconventional cops always getting chewed out by their by-the-book captain. Thankfully the film is pretty tongue-in-cheek too and never takes itself too seriously, realising that the audience won't either. This makes it more enjoyable than you might expect.The slimy alien monster is a total rip-off of the Queen in ALIENS, except that it looks a lot more fake and is less animate. Even the teeth and jaws are the same. The method of death for most victims is to be grabbed by silly-looking tentacles and then 'splattered' to death. The film isn't particularly gory, instead slimy, and every death seems to end with someone's guts getting sprayed across a wall in loving detail. There are some bloody body parts and also a single severed head (of a guy who looks like Einstein) in there too for good measure. Not content with having just one monster, whoever devised this garbage also decided to throw in two decidedly uncute alien baby critters in too, which kind of look like big scorpions and menace women in ill-fitting negligees. That these are "inspired" by the facehuggers in ALIENS goes without saying - they even jump to attack people in the exact same fashion.Charles Napier takes the lead role of the rugged rebel cop and he's actually very good, and it is he who makes the film watchable. Napier exudes a gruff charisma and his character - although deeply clichéd - is impossible to dislike. That's good, because the supporting cast is populated by cardboard characters and good actors giving bad performances. Ann Turkel (HUMANOIDS FROM THE DEEP) has the thankless task of being the female love interest (lured into bed with bagpipes no less) while the slumming Bo Svenson is the hard-as-nails police captain. As usual, Ray populates minor roles with once-famous stars such as Julie Newmar or that B-movie stalwart, Anthony Eisley, who is the victim of one of those "wall-splatterings" I mentioned earlier.If you think about it, nothing much actually happens during the course of this movie, other than Napier fighting teenage robbers (cue exaggerated car crash) and assorted aliens. The end of the film takes place in one of those empty factories so beloved of the horror and action genres and openly rips off ALIEN, as one security guard searches for a cat while slime drips from the ceiling and a monster attacks from behind. Still, you've gotta love the over-the-top finale which sees Napier battling the beast with a chainsaw while Svenson goes at it with a crowbar, an axe, not to mention the arsenal of weaponry that he and Napier use on the creature. It's that kind of movie. DEEP SPACE is a pretty poor film, but its never boring and Napier is good value as the lead, so genre fans may well get a kick out of watching it.
Alien spin-off I love these str8 to video monster movies. You can always guess what inspired them. In this one somebody saw the movie ALIENS with the space marines who-haaaing it up around the spacecraft. They decided it would be cooler if the alien crash landed on earth and a salt and pepper "MIAMI VICE" cop team had to deal with it. Wrong, nothings cooler than space marines win a run gun-battle with Alien creatures on a space station. However there were some cool points to be had. This film is so old the clothes are now in style again. The men in black show- up, there were using them long before the x-files. There's a scene in his apartment where he's grabbing every hi-tech gun there is but a GSG-9 only because it wasn't invented yet. This scene rivals the TERMINATOR gun store scene.
A Government experiment from space just landed somewhere in L.A., it's a horde of alien pods that unleashes monstrous baby creatures including one huge mother-^%&$^%&* that go around the city killing people in the alleys and neighborhoods, it's up to a rookie cop ( played by Charles Napier from "Jury Duty", " Rambo-First Blood part II" and " Silence of the Lambs") to stop these monsters.Pretty much decent for a low-budget Sci-fi flick that changes the whole Cops-and-Robbers theme to Cops-and-Aliens instead, some of the acting is stiff but there is a good apperence by Batman: The Series's Julie Newmar and a cool looking more that makes this an entertaining movie worth checking out.If you liked " Return of the Aliens: The Deadly Spawn" and " Bad Taste" then this is for you.6/10.