A different way of telling a story

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

The IMDb votes for BURGLAR are all over the place. Substantial segments of users graded it 6/10, 5/10, 4/10 and 3/10. A notable percentage also voted 7/10 and 1/10. Such divisions only reinforce what is obvious to anyone who's seen this Whoopi Goldberg vehicle -- it's an extremely uneven effort.One of BURGLAR's biggest strengths is that it hits the ground running. Whoopi is great in the opening scenes, disguised as a fat-bottomed ol' lady ripping off a small piece of a rich man's riches. This sets the stage nicely for what promises to be a fast-paced blend of comedy, action, and snappy dialog. The film continues at a surprisingly entertaining level as our thieving hero, owing 25 G's to keep the lid on past misdeeds, agrees to snatch back some jewelry for a bitter ex-wife. Only things go terribly wrong when her target is murdered before she can make a clean getaway. Now she's the chief suspect and, just as O.J. once famously pledged, must find the real killer.Unfortunately, it's at this point, when our expectations are highest, that BURGLAR begins to fall apart. The film grows progressively (and unnecessarily) lewd and at times downright dreary (particularly the out-of-place climax). Though there are a couple of laughs, much of the humor is so painfully unfunny you almost cringe. Performance wise, Whoopi is at the top of her game. But hard ass/cutie pie act -- punching men in the groin one minute and making wisecracks the next --never really works. Spastic comic Bobcat Goldthwait is as zany as ever as her best pal, but no one seemed to realize that his is an act meant to be taken in much smaller doses than this.BURGLAR would have worked much better as a straight action thriller. Its insistence on trying to be humorous is what hurts it the most. Of course under no circumstances would this be a classic. But at the end of it all, you get the sense BURGLAR could have been more than it was.

Another in a series of comic vehicles for Whoopi Goldberg in the late 80's, this one features a pretty well crafted mystery buried in amongst the comedy.Bernie Rhodenbarr (Whoopi Goldberg) is a cat burglar by trade. She would like to retire into respectability, but unfortunately, Ray Kirschman (G. W. Bailey), a retired police detective who once busted Rhodenbarr, is now blackmailing her into stealing for him. During one of her "jobs" for Kirschman, Bernie is surprised when Christopher Marshall (Stephen Shellen), the man she's stealing from, comes home unexpectedly. Bernie hides in the bedroom closet, but Marshall isn't alone, and when he and his companion decide to hit the sheets, Bernie is trapped there for the night. In the morning, Bernie overhears and argument between Marshall and someone who comes to see him. Then she hears the sounds of a struggle, and then silence. Eventually, she emerges from the closet to find Marshall dead on the floor with a rather strange looking object sticking out of his chest. She leaves, but is ultimately fingered as both a murder and robbery suspect. She spends the rest of the movie trying to clear herself with a little help from sidekick Carl Hefler (Bobcat Goldthwait), all the while eluding two bumbling detectives (John Goodman and Anne DeSalvo), and dealing with Marshall's widow (Leslie Ann Warren) and her attorney (James Handy). Will she find the truth, will Kirschman turn her in, or will the killer do her in? In spite of some occasional far fetched elements, this is actually a pretty well crafted mystery. Rhodenbarr is resourceful, and that resourcefulness not only helps to keep her out of jail as well as allowing her to figure out who really killed Marshall. The story is told in a comic way, but it is quite credible, nonetheless.The acting was quite enjoyable. Goldberg, of course, turns in a masterful performance. Warren's over the top hysterics work well with her character, and show just how much range she has. Goodman and DeSalvo are amusing as the bumbling detectives. Goldthwait and Bailey are rather annoying, as is par for the course with both of them, but they do manage to make their characters work. And Handy's performance is nicely layered between the public face as an upright lawyer, and the private face as a disturbed man capable of shocking violence.Yes, it's a silly movie, but if you look beneath the silliness, you may be surprised to find a well crafted whodunit. And either way, it's just an enjoyable movie.

I'm surprised the reviews for this movie are so negative. I found it to be very funny. Bob Goldthwait plays, well, himself in two scenes that literally had me on the floor.It may not be a masterpiece, but the characters are all played well and the storyline is serviceable. Goldberg carries the movie well enough and has good support from everyone else, but really, Goldthwait steals the movie with his scenes.There is a chase scene that's rather underwhelming, but after the chase scenes in the Matrix Reloaded and Terminator 3, almost everything is. Aside from that, the directing is solid.I enjoyed this movie and continue to enjoy with successive watchings. Keep an eye out in discount bins and you can score this movie for four bucks. I think it's worth it.

I liked this movie because the music is kind of spooky and dated.But the intense scenes are the best.great san francisco scenes and some great actors.James handy who usally plays a bad authority figure does the same thing here in this movie.I think this is 100 times better then jumping jack flash.