Earl Pilcher Jr. runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a Black woman who died in childbirth; plus, he has a half brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.
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Reviews
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
While some may think a white child with a black parent is a rare occurrence, a recent story revealed that the mother of six of Thomas Jefferson's children was a black slave by the name of Sally Hemming. Richard Pearce's A Family Thing is a modern day fictional example of such racial mixing. The film is a comedy but has serious overtones in its thoughtful look at America's racial divide. When 60-year-old Earl Pilcher's elderly mother Carrie dies, she leaves him a letter that the local pastor (Nathan Lee Lewis) delivers to him after her death. The Arkansas equipment rental manager is shocked to read in the letter that his real mother was Willa Mae (Patrice Pittman Quinn), an African-American who was impregnated by his father (James N. Harrell)."Nobody knew," the letter says, "because you came up white. Willie Mae died having you. I was right there." Needless to say, this piece of information does not sit well with Earl who was raised by the Pilchers and never questioned his heritage. To compound Earl's confusion and disbelief, he also finds out that he has an African-American brother, Ray Murdoch (James Earl Jones), who lives in Chicago. When Mrs. Pilcher implores Earl to find his brother, Piclher suddenly takes off to Chicago in his old pickup truck without telling his family the reason for his departure. In Chicago, he discovers that his brother Ray is a cop who works in the office of Chicago's mayor, that he knows all about him, and is not happy about seeing his brother again, blaming him for his mother's death.Finding himself in a dangerous part of town, Earl is held up, mugged, and has his truck stolen. After getting out of the hospital and needing a place to stay, he is reluctantly put up by his brother who lives in a flat with his son Virgil (Michael Beach) and his elderly, blind Aunt T (Irma P. Hall) who brought him up. Even though Ray tries to convince her that Pilcher is an old Army friend, the wise old woman isn't buying. "Stop BS-ing me," she says "Earl Pilcher -- I know all about your sorry half-black a -- ." Once they get over the shock of recognition, the plot unfolds in a predictable but highly entertaining manner as the brothers discover they have more in common than they thought.Earl gets drunk and winds up sleeping under a bridge. Virgil reveals that he had a serious leg injury that curtailed a promising football career and listens to some upbeat suggestions from his uncle. There is also a wonderful scene with Earl and his blind aunt shopping at a supermarket where she has memorized the inventory, and a moving flashback to Earl's birth. Though both Duvall and Jones are accomplished veteran actors, Hall steals the show and makes the film special. Old Aunt T. sums up the film's message when she says, "I don't have the blessing of being able to separate people out by looking at them no more." That kind of colorblindness is a blessing more people ought to have.
Watch this if...you are in the mood for a movie with a nice message that is superbly acted. It tackles many racial issues and is entertaining, but drags a bit toward the end.Acting/Casting: 8* - Great casting and Duvall and Jones are gold in the lead roles. The supporting cast does a good job as well and this is really the strong point of the film.Directing/Cinematography/Technical: 6* - I felt that the scenes taking place in Arkansas felt much more real than those in Chicago. The flashback scenes were done very well and overall the directing was on par. My biggest complaint would be the last 20 minutes of the film that seemed to drag a bit.Plot/Characters: 7* - Very well written story and message by Billy Bob Thornton concerning racism and passing judgment on those we don't actually know or get to know. It is a somewhat far fetched plot, but the irony and underlying premise is good.Entertainment Value: 6* - I enjoyed the film and the acting really carries the movie. There isn't a ton going on in the film, but it manages to keep your attention. A good show, but it will likely be a few years before I sit down to view this again.My Score: 8+6+7+6 = 27/4 = 6.75Email your thoughts to [email protected]
Robert Duvall plays an aging Southerner who discovers he has a half-brother -- and worse, their mother was black! He journeys to Chicago to meet his half-brother (James Earl Jones), who is as shaken as he to discover their connection. The blind Aunt T. (Irma Hall), who lives with Jones, helps the two men sort out their differences. A familiar TV face, Michael Beach, plays Jones' grown son, who is dealing with personal problems and not exactly overjoyed to have a white man -- worse, a bona fide cracker -- in the family. Duvall walks away with this one. He is amazing. At one point, after having been carjacked and beaten and wandering off from Jones in anger and hurt feelings, he finds himself in a bar where he drunkenly invites himself to join a table of folks celebrating one of the ladies' birthdays. They're black, and his redneck, incorrect way of talking to them becomes painful to hear. He is that convincing. The last shot of the movie, which is absolutely precious, has Aunt T. walking away from the camera, headed for the market. Veteran movie and TV director Richard Pearce made this from a script cowritten by Billy Bob Thornton. A must-see.
Everything about this movie touched my heart. Robert Duvall has to be the best actor who's ever tread the face of this earth. The way he 'sinks into' his character in this particular film is almost uncanny. The completely fresh and unexpected perspective from which the story is written took my breath away. I confess when I first saw this film I had no idea who Billy Bob Thorton(one of the co-writers) was - I just knew that this was one of the best movies I'd ever seen. Never at any time during this film do you get that feeling of 'I've seen this somewhere before' - and in this day and age that's almost unheard of. How come you haven't seen it yet?? Believe me it's worth the hunt.