Animal Instincts

October. 21,1992      R
Rating:
4.9
Trailer Synopsis Cast

A cop and his sexually frustrated wife are struggling to keep their failing marriage intact, when by chance she finds that he is at heart a voyeuristic peeping tom. To satisfy him and herself, his wife has numerous affairs, which her husband watches on closed-circuit televison. However, the pair soon learn that when you play with fire, you'll always get burned.

Shannon Whirry as  Joanna Cole
Maxwell Caulfield as  David Cole
Jan-Michael Vincent as  Fletcher Ross
Delia Sheppard as  Ingrid
Mitch Gaylord as  Rod Tennison
John Saxon as  Otto Van Horne
David Carradine as  William Lamberti
Josh Cruze as  Hernandez
Tom Reilly as  Ken
Kelly Royce as  Jessica

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Reviews

Cubussoli
1992/10/21

Very very predictable, including the post credit scene !!!

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Exoticalot
1992/10/22

People are voting emotionally.

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UnowPriceless
1992/10/23

hyped garbage

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Nayan Gough
1992/10/24

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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jmrecillas-83435
1992/10/25

This is my first review on IMDB, which show you the particular way I see movies and think about it.Some things have change in the way we look at movies, specially in the light of recent scandals on Hollywood concernig the way women, but not only they, has been treated by studios or high executives and producers. We have to acknowledge that erotic cinema contains and portrait that what feminists call Sexual objectification. Yes, erotic cinema is made by men for men, voyeurist men, and portraits women as an object, an object of male desire (that what Tennessee Williams call in his 1947 play A Streetcar Named Desire). So, we can't, or we shouldn't forget that women portrayed in this kind of films are that kind of object. This doesn't mean that you cannot enjoy a movie or doesn't watch properly if you forget this. I want to point out that in order to acknowledge our debt with women. It's also important underline that erotic cinema is a variety of male voyeurism, since there isn't erotic cinema for women.Considering all this, it is possible to say that this movie represents one of the highest, if not THE HIGHEST example of this kind of cinema. What it makes an erotic movie a visual and endure experiencie? Is not the plot, usually very shallow and silly, underlying the submisive aspect of the female character, which always is involved in some of silly activity which leads her to a sexual activity, and the display of what men can call 'the beauty of the female body' for voyeuristic purposes: men should see and enjoy the way the female character is conducted into intercourse, wether she has been established as a weak personality that has to be rescued, or a strong and bad character that uses her sexuality to achieve her goals.In this case, Shannon Whirry embodies the first kind of character, with all the cliches that voyeuristic erotic cinema requires for an adequate developement. This means that we are not befora a novelty on which means the plot of the story. What it makes this flick a memorable experience is all de cinematic photography, no matter how cliché this results. Shannon Whirry is captured in that voyeuristic spirit that is mesmerizing watch her doing what in real life she usually doesn't do it: enjoy hersefl as she was watching another woman (or man) as she put her underwears since the very beginning of the film.There is no way that a real woman behave herself as she on screen. But that is the magic of voyeurism for men: to look a woman enjoying so much herself as the voyeurist do it. In that sense, there is no other film, before or after this, that captures what 'spirit of watching' is supposed to be.Shannon Whirry looks absolutely masterfully, beautifully captured on film as never other woman has been or will be. She looks astonishingly breathtaking, no matter how silly and cliché is the plot of this movie. Yes, she embodies the highest point ever achieven on Sexual objectification, but we have to admit that never a woman look so impressive in underwear as she looks on here, and the cinematic rhythm is just awesome, astonishing, mesmerizing. An absolute memorable cinematic experiencie for men, and probably for some women too.

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Mark C
1992/10/26

I rarely enjoy erotic films, but really loved this one. Its plot is quite basic the tale of a cop that works too hard and a wife that is neglected. Shannon Whirry as the wife is stunning and captures your attention. Its adult nature is full nudity and soft focus, with plenty of interesting outfits and people doing what is now seen as swinging. It hasn't really dated too badly, the hair is big, the g-strings high legged and the suits a bit 80s. Other than that they had kept it free of really obvious fashion or image disasters of the era.The second film is also quite good and in the third Shannon wasn't included.If you want intelligent eroticism then get Wild Things with Denise Richards, otherwise this will make a fun watch.

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Jackson Booth-Millard
1992/10/27

When I first saw the title I guessed it was something to do with actual creatures, but in my younger days I was much happier with what actually appeared, seeing it again however was a good idea to get a better opinion. Basically Joanna Cole (Shannon Whirry) feels the passion in her relationship with police officer husband David (Maxwell Caulfield) is going, it is like he is not interested in her anymore, and she is sexually frustrated. Needing some sexual attention and passion she does have sex with another man, which David sees and does nothing about, and the second time he catches her again, watching her a little bit, before getting rid of him. He makes it clear to Joanna that he is not angry at all, he has found a higher attraction for her through his love for voyeurism, and both agreeing they decide to have some more fun. So they get an article put in the newspaper advertising for men, women and couples to join Joanna for the evening for sexual passion, while David with the hidden camera watches on screen and gets turned on. Of course slowly they realise there are small consequences with what they are doing, including getting a gangster come in on them and force the husband to blackmail gangster like crook William Lamberti (Kill Bill's David Carradine). Also starring Jan-Michael Vincent as Fletcher Ross, Delia Sheppard as Ingrid, Mitchell Gaylord as Rod Tennison, John Saxon as Otto Van Horne, Josh Cruze as Hernandez, Tom Reilly as Ken, Erika Nann as Dianne, Kelly Royce as Jessica and Frank Swann as Officer Tom. Naturally being a teenager it was easy for me to be turned on to the sight of Whirry with another woman and exposing her breasts very often, as well as the occasional sights of other women in the film naked, but it is a rather ridiculous story that only soft porn can come up with, and not even sexual scenes can save it being dull, why did Carradine agree to be in it? A silly erotic thriller. Adequate!

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flanagad
1992/10/28

There's really only one reason why you'd be watching a film like this. This film accomplishes everything one could hope for in this genre and not much else. If you don't know why you're watching it, stop, but if you do, you'll agree it's as close to perfect as possible.

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